Jay Dayton Smith House

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Jay Dayton Smith House

The Jay Dayton Smith House, located at 624 South Sixth Street in Las Vegas is significant as a locally outstanding example of Spanish Colonial Revival style residential architecture (Criteria C). The building and its accompanying garage are located in a cohesive residential neighborhood surrounding the Art Deco style, Las Vegas High School. The. principal buildings of the High School were listed in the National Register on September 24, 1986.

Located at 624 South 6th Street in Las Vegas, Nevada and added to the National Register of Historic Places. (#87000077)

The J. D. Smith House is exemplary of the Spanish Colonial Revival style in Las Vegas with its irregular massing, asymmetrical facades, and red tiled, low pitched gabled and. flat, red tiled roofs. The stuccoed exterior is pierched by round and pointed arches on the front facade. Its exterior details include a round tower, a wing wall enclosing the sideyards, and a carport with arched entry. The interior boasts a sunken living room with a timbered truss cathedral ceiling, a central fireplace with decorative trim, and a random width plank floor. Built in 1931-32, the structure survives intact and has undergone no major changes.

The J. D. Smith House is a substantial example of the Spanish Colonial Revival style, a popular style in Las Vegas during the 1930s. 28 other residential structures and 10 apartment and commercial buildings have been identified as designed in the Spanish Colonial Revival or Mission Revival styles for the 1984 Clark County Historic Property Survey. The Smith House is one of four elaborate Spanish Colonial Revival styled residences included.in the survey. The three Spanish Colonial Revival styled residences which rival the J. D. Smith House in size, scale, and details are the Whitehead Residence at 333 North Seventh Street (Built in 1922, altered 1955, 1965), the Foremaster House at 701 South Seventh Street (Built in 1927, altered 1942, 1945), and the Henderson House at 704 South Ninth Street (Built 1930). The J. D. Smith House is the only one of the four which has had no modification of its massing or detail.

Las Vegas was founded in 1905 by the San Pedro, Los Angeles and Salt Lake Railroad Company as a division point for its main line between Salt Lake City and Los Angeles. The railroad laid out the city and formed the Las Vegas Land and Water Company to manage the townsite. Las Vegas was a small railroad company town until the late 1920s when the economy begain to diversify. (The population was 945 in 1910 and 2304 in 1920.) Congress passed the Boulder Canyon Project Act in 1928 assuring the construction of a dam across the Colorado River. Las Vegas, with its rail access, became the main supply center for the dam site some 20 miles away. In 1930 construction of the dam began and Las Vegas’ population swelled to 5, 165. New subdivisions were platted between 1928 and 1934 including the South Addition where Dr. Smith purchased three lots. Dr. Jay Dayton Smith (1894-1984), a dentist, was born in Monona, Iowa and settled in Las Vegas in 1926. Smith subsequently became a community leader particularly active in the field of Education. He served on the Clark County School District Board from 1935-1953. In 1964 his commitment to local education was honored when the first junior high school in Las Vegas was named the J. D. Smith Junior High School. In 1931, the date of construction of the Smith House, Las Vegas experienced the most active year to date for construction of all types of buildings. The Jay Dayton Smith House is significant for its association with the City’s first major building boom.

The Jay Dayton Smith House was designed by architects Warner and Nordstrom and built by the Hampton Brothers, contractors. The original drawings produced by Warner & Nordstrom indicate that they were Las Vegans; however, there are no records of where they lived or worked in Las Vegas. A literature search does not show them as prominent architects in southern California or as Bureau of Reclamation architects working on Hoover Dam. The four Hampton brothers operated Hampton Brothers Construction Company. The 1984 Clark County Property Survey cites the Hampton Brothers as “the most successful venture in the local building trade” in the 1930s. Hampton Brothers Construction Company built many other houses in the area. Identified in the 1984 Clark County Historic Property Survey iare the Nevada Electrf.ic Company at 201 South Bridger, 327 North Ninth Street, 816 South Third Street and 818 South Third Street.

Dr. Smith lived in the 624 South 6th Street house until 1947 and his wife continued to live in the house until her death in 1970. The property remains in the family and is presently owned by Jeanne Smith Stewart and Cassandra J. Smith Vincent. Dr. Smith’s office was on the second floor of the Mesquite Building at 103 Fremont. The building has been razed.

Although modest in comparison to many national examples of the Spanish Colonial Revival style, the Jay Dayton Smith House is an outstanding local example of the style. Constructed during the major Las Vegas building boom in the 1930’s, the Jay Dayton Smith House is one of the few Spanish Colonial Revival style dwellings to survive from the period and the only such dwelling to survive intact.

The white stucco walls are pierced by arched and rectangular openings. An ogee arched window opening is the focal window on the front facade. All the other window openings are rectangular in shape with no surrounds. The thirty-one original windows are all framed in wood and are a combination of fixed, casement, and double hung windows. The three exterior entries have eight paneled, wooden doors. The front door is generous and original. The kitchen and basement doors have been replaced with appropriate eight paneled wooden doors. A canted bay and chimney project from the north wall.

The front portion of the house is covered with an intersecting gabled roof of Mission type red tiles laid regularly. The rafter ends are exposed and painted a dark brown to contrast the white stucco walls. The rear portion of the building is covered with a built up, flat roof. The slight parapet walls surrounding the flat roof are topped with red tiles.

The modest exterior decoration includes a wrought iron weather vane topping the tower, wrought iron light fixtures, weep holes in the tower, and curvilinear gussets between the short patio walls and the carport wall.

The interior walls and ceilings are finished with a rough textured plaster which is painted white. The living room is the most elaborate. The rest of the rooms are modest in decoration with arched, recessed niches and arched doorways as the most common decorations. The house retains its original interior four panel wooden doors with original hardware and original dark wood built-ins.

The living room is sunken with a doweled, random width, hard wood floor. The major focus of the room is the fireplace which is sheathed in white plaster to integrate it into the rest of the wall and is decorated with elaborate decorative ceramic tile. Round arched niches are above and to each side of the fireplace. The dark wood, trussed beams elaborate the cathedral ceilings. The original wrought iron curtain rods remain. Patterned ceramic tiles decorate the risers leading to the dining room and the rest of the house.

The original yellow and green tiles and dark wood built-ins remain in the bathroom.

The basement has a red, coursed, concrete floor and original interior wood doors.

Huntridge Theater

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Huntridge Theater

The Huntridge Theater opened for business on October 10, 1944. S. Charles Lee, a renowned theater architect, was influenced by the Moderne and International architectural styles when he designed the building. The Huntridge served as a movie house for almost five decades before its conversion to a performing arts center in 1992. Although the original landscaping has been lost, and minor changes to the interior and exterior have been undertaken, the theater retains its historic integrity.

The Huntridge Theater is located at the large, busy intersection of Maryland Parkway and Charleston Boulevard. It is currently surrounded by various commercial establishments, including car dealerships. The theater is just north of the Huntridge neighborhood, constructed during the 1940s. Originally, a bank and the post office were located next to the theater. Future plans for the Huntridge Performing Arts Center include purchasing and rehabilitating these two buildings and, to some extent, restoring the appearance of this important corner for the neighborhood.

Located at 1208 East Charleston Boulevard in Las Vegas, Nevada and added to the National Register of Historic Places (#93000686)

The theater is an approximately square, one-story, brick and concrete structure with a flat roof interrupted by a tower above the marquis. The bank of glass front doors are emphasized by projecting rectangular piers which support the marquis, and above, a curved wall. The 75′ high rectangular tower with flutes rises above the entrance. The tower is surmounted by a neon sign which spells “Huntridge.” The building has no windows and has no surface treatments other than those which surround the entrance area. The exterior doors lead into a lobby with a concession counter; the auditorium (approximately 1000 seats) is located to the left. The projection room can be accessed by a stairway beyond the concession counter.

Alterations to the theater include paving over the original, curved driveway which lead to the theater entrance, the addition of air-conditioning units on the roof, and the replacement of the original “Huntridge” sign, which was written in script. In 1992, the interior of the auditorium was unified as originally built, reversing the division into two theaters in the 1980s. The original murals have been lost. In spite of these changes, the. Huntrictcje Theater retains its integrity and will serve the Las Vegas for many years to come.

The Huntridge Theater is eligible for the National Register of Historic Places under criteria A, for its contribution to Las Vegas recreation and entertainment, and under criteria C, for its modern style of architecture.

The Huntridge Theater was designed by S. Charles Lee, one of the country’s well-known theater architects. In addition to designing more, than 300 theaters throughout the United States, Lee built several theaters in Mexico, Construction of the Huntridge began in 1943, during the height of World War II. Materials and labor were in short supply due to the war; the brick and concrete shell was common to buildings of this period. The contractor for the project was Pioneer Construction Co. ; several local sub-contractors were also employed. The Huntridge interiors were designed by A.B. Heinsbergen of Beverly Hills. At the time Mr. Heinsbergen was the veteran of over 376 large theaters and was recognized as the Designer of the Year by the United States Government in 1940.

The historic Huntridge Theater opened on October 10, 1944. It is believed to be the oldest operating movie theater in southern Nevada. Located on the corner of Maryland Parkway and Charleston Boulevard, it serves as the cornerstone for the Huntridge neighborhood, which includes houses and commercial buildings constructed in the 1940s. The original builder and proprietor of the Huntridge Theater was Commonwealth Las Vegas Theater, Inc., whose officers at the time of opening were C,A. Schultz, President, O.K. Mason, Vice-President and General Manager, and A.J. (Sim) Simrnons who managed the Huntridge from the construction phase to its opening.

The opening films on its first day were “Hi, Neighbor” and “Hellzapoppin,” The promotion for the opening of the theater included a contest to name the movie stars, with the first prize of a $25.00 war bond and 10 guest tickets. The Huntridge Development Co. , owned by prominent Las Vegas Thomas Oakey, was responsible for the contracting of the property. Mr. Oakey was also a partner in the venture. It is unclear from historic records as to when Commonwealth Las Vegas Theater, Inc., group dissolved but it is know that prior to 1951 Mr. Oakey had new partners in the property, including legendary actresses Irene Dunn and Loretta Young.

In 1951, a 27 year lease of the Huntridge Theater was begun with Lloyd and Edith Katz of Las Vegas. Mr. and Mrs. Katz operated the Huntridge Theater, the Fremont Theater, and the Guild Theater, all located in Las Vegas. The Huntridge was operated by the Katz’s until 1978 when the theater was purchased by Mr. Frank Silvaggio, a Las Vegas contractor.

During the nearly 50 years of its operation, the Huntridge has hosted many famous personalities. In March of 1947 Abbott and Costello appeared live on the Huntridge stage to present their new movie “Buck Privates Come Home.” In the 1950s such artists as Frank Sinatra, Judy Garland, Jerry Lewis, Marlene Dietrich and Vincent Price appeared at the Huntridge in promotions for their latest movies. The Huntridge Theater, along with the Fremont Theater, was host to the world premiere of the “Las Vegas Story” in which all of the major actors in the picture were in attendance.

The Theater is also eligible for the National Register under criteria C. The building is a combination of the Moderns style of architecture and the International style. Characteristics of the Moderne style, known also as the “streamlined style,” include curved corners, asymmetrical fenestration, smooth wall surfaces, and small round windows. The style was inspired by industrial design of the 1930s and eventually replaced the earlier, more, ornate Art Deco style. The Huntridge Theater displays features of the Moderne style such as the rounded facade and corner, the smooth wall surfaces, the fluting on the tower, and the small “porthole” under the “Huntridge” neon sign. International style characteristics include the minimal surface decoration, the asymmetrical massing of the building, and the flat roof. The theater is one of the few buildings to survive in Las Vegas from this decade.

The Huntridge Theater is best remembered as the place to go for Saturday matinees. Thousands of Las Vegas children passed through the portals of the theater to view many Disney films which had their Las Vegas premieres at the Huntridge. Many prominent Nevadans worked at the Huntridge in their early years. Such notables as Frankie Sue Del Papa, the state’s Attorney General, and others were ushers and concessions personnel at the theater. Senator Richard Bryan grew up in the Huntridge neighborhood and spent many hours in the Huntridge Theater.

After the purchase by Mr. Silvaggio in 1979, the theater was converted to a twin theater in 1980. During the subsequent 10 years the theater was operated by a number of different individuals and companies, including United Artists Corporation. The theater began to decline in popularity in the 1980s due to the advent of multi-theater complexes and its inability to compete in the marketplace. The theater closed in 1990 after repeated attempts to find a niche in which it could survive.

In January 1992, the theater was leased by Richard and Tamara Lenz, The theater was restored to a single space and much of the original decor was maintained, including the decorative wing walls on either side of the stage , the pillars in the lobby area, and the 75 foot high “Huntridge” sign.

In a city with few landmarks over thirty years old that have not been destroyed or extensively remodeled, the Huntridge stands intact as a tribute to its time. It is filled with the memories of the local people who grew up in Las Vegas.

George and Mary Powelson House

George and Mary Powelson House

In the 1920s, George W. and Mary Powelson lived here. The address is listed as 371 North 300 West in the 1920 Polk City directory and as 381 North 300 West in the 1929 directory. The house follows a style book pattern sometimes referred to as a Sears style. The style books were readily available for those who wanted to build a home.

George was the principal of Franklin School in 1920 and a teacher at a junior high in 1929. In the 1930s William O. and Myrtle Clark lived in the home. William worked as a salesman. The longest owner was William L. and Minnie Kelsch who lived in the home in the 1940s through the 1980s. William worked first for his father’s shoe repair store, Louis and Sons Kelsch at 154 West Center. In the 1960s William and Minnie opened Foothill Shoe Repair at 438 North 900 East.

381 North 300 West in Provo, Utah