Marriner S. Eccles, the eldest child of David and Ellen Eccles, built this 2½-story home in 1913. Carl Schaub designed the home. Architectural styles include Spanish Revival, Classical, Italianate, and Prairie. The arched front porch and the arbor to the south dominate the façade.
Virginia creeper adorns the front porch, east chimney, and arbor. Large French doors and windows allow sunlight in every room. Unique features include a formal as well as offkitchen stairway, Italian marble in the rotunda reception room, hardwood floors, brass and stencil tile, two fireplaces, original bathroom, and a sleeping porch. Marriner S. Eccles was placed at the head of the Logan family businesses when his father died and within 20 years had made the Eccles banking and sugar interests among the largest in the West. In 1934, he was appointed by President Franklin D. Roosevelt to serve as chairman of the Federal Reserve Board, a position he held until 1948. The Federal Reserve Building in Washington, D.C., was named after him.*
Built c.1906 by prominent Utah architect David C. Dart, this one and one-half story cottage is a type known as a central block with projecting bays. With Victorian, Arts and Crafts, and English Tudor architectural features, the house style was labeled “builder’s vernacular” in early tax documents and is a good representation of early twentieth-century eclecticism.
The house has many University of Utah ties. The first owners were William and Grace Ebaugh. William was chair of the Department of Chemistry. In 1918, Edward and Lillian Gaby purchased the house and completed an extensive renovation of the interior. The house then fell into disrepair and was abandoned during the Great Depression. Seville Flowers, a botany professor, and wife Emily, owners from 1937 to 1972, restored it to a livable condition. In 1951, the façade was covered with a brick-imprinted stucco; it was restored to its original appearance in 2001.
This 2½-story home was built in 1910 by Severin Jeppeson for his wife Emma. He was a clerk, local musician, and leader of the Jeppeson Orchestra. The house has similar characteristics of others built during the same period. The bungalow has neoclassical details, evidenced by the colonnaded front porch. The square columns have Doric capitals with dentil molding. There are 15 leaded glass windows, 11 of which are beveled cut glass. Successive owners have made significant improvements. The screen porch was changed into a bay window breakfast nook, a plant conservatory has been added, and the empty attic was finished to create a large room. The front entrance and façade have been altered and wood balustrades were added around the veranda.
Mr. Bowen built this two-story home in 1909. He was the manager of Logan-Idaho Oil and Gas Co. The house was converted to apartments for a short time, but present owners are restoring its Victorian style as a single family dwelling.*
Charles W. Nibley built this home in 1905 for his second wife, Ellen Ricks Nibley. The home, described as Neoclassical, has a cluster of three 2-story Ionic columns on each side of the portico, reminiscent of Jefferson Classicism. The first-story veranda wraps around one side of the home and is supported by Ionic columns. A classic balustrade encircles the second-story veranda. The fan window in the front gable is typical of the style and is the crowning feature of the façade.
The home was used as a fraternity house until 1963, when Mr. and Mrs. Ray Somers purchased the home. Over a period of 20 years, they restored the grand structure and changed the interior to a fancy 1905-era style with some Georgian and Colonial Revival touches. They added the garage, woodwork, numerous stained glass windows, and a unique and beautiful French parlor. There is also a Grecian library, a classical pillar section at the head of the stairway, a fancy hutch over the radiators on the second floor, luxurious Victorian carpeting, and hardwood parquet floors.
Cache Valley black walnut was used in the upstairs bathroom, front foyer, and other parts of the home. The woodwork in the hall and dining room is stained Italian cherry to match the mantle in the parlor. All woodwork, millwork, electrical, plumbing, plaster castings, painting, and design were done by the Somers.*
This Prairie-style home is a hip roof villa in the Spanish motif. It was built in 1915 for Julia Budge Nibley, Charles W. Nibley’s third wife. Nibley served as a station master at the depot and was an entrepreneur in early Logan.
The two-story home has stucco walls, strong horizontal symmetry, gently slopping hip roofs, low proportions, heavyset chimneys, sheltering overhangs, and low outreaching terraces that are typically Prairie-style, but the detailing makes it unique and more reminiscent of Classical and Spanish Revival styles. The fluted columns supporting the two front porticoes are Classical and have Doric capitals. A Spanish motif is portrayed by the red tile roof, an arched roof canopy above the front door, French doors used as windows, and openings outlined by brick arches. A garage was added in the 1960s but otherwise the exterior is largely unaltered. The interior was remodeled in the 1930s, again in the 1960s, and returned to its original period style in 1996.
The home was designed by Salt Lake architects Pope and Burton, who studied in Chicago and helped bring the Arts and Crafts style. They designed few residences, and even fewer remain. This house led the break from elaborate Victorian homes and established the Arts and Crafts style, particularly bungalows with Prairie influence, as the preferred homes in Utah. This house is historically important because it represents one of the best and earliest examples of the Chicago school (Commercial style) in the state of Utah.*
Built in 1911, this house was first occupied by Elias and Agnes Beckstrand. Elias was an engineering professor at the university and was appointed head of the department. He authored several works in this field and served as the consulting engineer for Utah Copper and the Utah State Road Commission.
The Ophir Town Hall, constructed in the early 1870s, is significant architecturally and historically as one of only three remaining nineteenth century mining town city halls in Utah. Mining proved of signal importance in the transition of Utah’s economy from an agrarian base to one more diversified, attracting numerous non-Mormon entreprenures and laborers. This transition began to occur in the late 1860s when the transcontinental railroad (1869) made commercial mining in Utah a profitable enterprise. Ophir, located some fifty miles southwest of Salt Lake City, numbered among the first mining districts established, and its Town Hall is the oldest remaining of its type in Utah. Other extant city halls from this initial period of mining activity are the Park City City Hall, 1884 (Park City Main Street Historic District, Summit Co. Utah – National Register), and the Eureka City Hall, 1899 (Eureka Historic District, Tintic Mining District, MRA, Juab County, Utah – National Register). The Ophir structure, however, remains architecturally unique as a type because in comparison it is a frame false-fronted building, whereas the other two are more substantial brick structures, reflecting the continued prosperity and growth of Park City and Eureka after the initial boom years of the 1870s and 1880s. The site was documented in 1967 as part of the Historic American Buildings Survey.
Ophir Town Hall is located next to the Ophir Fire Station in Ophir, Utah and was added to the National Register of Historic Places (#83003193) on June 9, 1983.
Mining for precious metals began in Utah with the arrival of the U.S. Military in 1862. Under Colonel Patrick E. Connor, known as the “father” of mining in Utah, the California Volunteers, stationed at Ft. Douglas in Salt Lake City, prospected the mountain ranges of the Salt Lake Valley. These men were experienced miners from the California gold fields, and under their guidance mining districts were opened in the Utah Territory in the 1860s. However, the effective commercial mining of minerals waited until 1869 when the Transcontinental Railroad joined at Promontory, Utah to make transportation of ores more economical and profitable.
In June, 1864 soldiers from Ft. Douglas organized the Rush Valley Mining District, some forty miles southwest of Salt Lake City; and in 1870, the Ophir District was separated and organized under its own right.* The Ophir District numbered among the initial incorporated mining areas in the Utah Territory. In fact, East Canyon, or Ophir Canyon, proved to be the first “significant” find of silver-lead ore made by Connor’s soldiers.
During the summer of 1870, A. N. Moore laid-out the townsite of Ophir, which is nestled in a canyon on the western slope of the Oquirrh Mountains southwest of Salt Lake City in Tooele County. Here, mining activity burgeoned, primarily after horn silver was found on Silverado Hill in 1870, and excitement extended until 1874. By April, 1871, the town was referred to as Ophir City, and touted as “flourishing and rapidly increasing.” In May, 1871 “plats, statements and necessary papers” had been filed at the Tooele County Recorder’s office, “so as to comply with the law of Congress of 1864-5, to locate the town for the benefit of lot holders and owners. ” Thus, the Ophir Town Hall was probably constructed sometime between 1870 and 1872; and by City. 1874, the hall was listed in the Sloan, Gazetteer of Utah and Salt Lake City.
The Ophir Town Hall fits into a general pattern of mining town devleopment. By 1870 the area had passed from a mining settlement to a camp, where the population grew and mineral strikes became more significant. As such, the town hall was constructed of wood, and served as offices, a meeting place, fire station, and jail. The false-fronted facade was unadorned, reflecting the utility of construction. A belfry, perched on the ridge of the gable roof near the front of the building, rang with the sound of fire. A lower level was constructed as the jail, with concrete walls and floors adding to security.
Ophir developed, with peak activity in 1872, 1873, and 1874, but then gradually began to decline. The city was moving to the “town” phase of development, but dwindling mining activity cut short its rise to a regional center as had occurred in the towns of Park City and Eureka. Thus, the frame town hall remains a symbol of the transition from settlement to camp, but not to the more substantial town phase.
Despite Ophir’s lack of growth to a district economic center, the town remains. Labeled as a “ghost town,” its various residents today dispute that observation. The Town Hall remains –the only one of its type in Utah– as a most visible symbol of Ophir’s past, and recent restoration activities during the 1970s have illustrated the community’s commitment in keeping its Town Hall the center of activity and pride.
The Ophir Town Hall is a two story rectangular structure 26 feet 5 inches by 24 feet 6 inches, and forms a combination town office, fire station, and jail. The false fronted frame structure is constructed of horizontal clapboard siding, 6 inches wide, with a belfry situated on the gable ridge of the roof near the front of the building. The main level is divided into three rooms which include a meeting hall, fire department, and storage room for fire fighting equipment. The lower level, or basement, is constructed of concrete and formed the foundation and jail, with each of two cells having one window.
The wood shingle roof was covered with galvanized corrugated sheet steel in the 1970s, and the clapboard siding treated with an oil coating. The building remains basically sound, and in much the same appearance as it did originally.
This house was built in 1890 for John R. and Bartha Blanchard. In 1903, this building was converted into the first hospital in the Cache Valley with a capacity of seven beds in four rooms. In 1916, it was sold to the Presbyterian Church and used as a boarding house for the female students of the church’s New Jersey Academy.
Characteristic features of this Victorian eclectic style home include the irregular plan, asymmetrical facade, and varied silhouettes resulting from dormers, gables, and towers. The carved, lathe-turned, and scroll-cut woodwork, segmental window openings, bay windows, and decorative porch add to its architectural character.
John R. Blanchard built this home in 1890. It was originally used as a residence and boarding house until 1903, when it became the first hospital in Cache Valley. In 1916 it was sold to the Presbyterian Church, which used it as a boarding house for the New Jersey Academy, one of the first non-Mormon schools in the valley. The home has been used as a dormitory, sorority house, and later sectioned into apartments. In 1977 it was converted back into a single family home. The house characterizes the Stick style, which is a Victorian sub-style with tall proportions and steep roofs. The eaves and roof gable ends are embellished by Eastlake detailed framing.*