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Tag Archives: Victorian Eclectic

Amanda Conk Best House

31 Friday May 2024

Posted by Jacob Barlow in Uncategorized

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Historic Homes, LittleLibraries, NRHP, Queen Anne style, Salt Lake County, utah, Victorian Eclectic

Amanda Conk Best House

Built in 1896, this two-story Queen Anne and Victorian Eclectic style house was constructed for Amanda James Conk Best, a polygamous wife of Alfred Best, an early pioneer farmer and merchant. Architecturally significant, the house is unusually large and elaborate for its setting and time period; character-defining features include its prominent tower, asymmetrical floor plan, bay windows, detailed stone and brick work, and decorative shingles. This house has a twin, known as the Historic Barlow House, built by the same builder, located at 187 A Street in the Avenues.

Located at 3622 South 1100 East in Salt Lake City, Utah and added to the National Register of Historic Places (#08001154) on December 4, 2008.

Little Free Libraries

Johnson Hall–Deseret Mercantile Building

25 Monday Dec 2023

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Grantsville, Mercantile Buildings, NRHP, utah, Victorian Eclectic

Johnson Hall–Deseret Mercantile Building

The Johnson Hall/Deseret Mercantile Building is a complex of two buildings located at 4 West Main Street in Grantsville, Utah. Both buildings are two-part commercial-style blocks constructed of brick with Victorian Eclectic details. The older building is the Deseret Mercantile Building to the west (left), which was constructed around 1890. Johnson Hall, the larger building to the east (right), was built in 1898, with a design to adjoin and complement the older building. Together the two buildings form the best-preserved section of Grantsville’s historic Main Street. The two buildings were remodeled jointly in 1953, and also partially restored in 1982. In the past, the Deseret Mercantile Building to the west has used a separate address: 6 West Main Street. Today the two buildings share an address and are known as the Grantsville Drugstore. However, historically, they were distinct entities though occasionally referred to jointly as the Johnson Hall or the Johnson Building.

The Deseret Mercantile Building, built circa 1890, is a two-story commercial block approximately 24 by 45
feet. It was constructed of brick on a stone foundation. The yellow face brick is laid in common bond with
headers every seventh course. The building faces south and the built-up roof slopes to the rear behind a stepped parapet. The parapet is the main feature of the fa9ade. The parapet has a three-course coping. Colossal brick pilasters are located at each corner. Each pilaster has a corbelled brick cap. Between the pilasters is a corbelled cornice. The upper floor has two windows. Historic photographs indicate the original windows were one-over-one, double-hung windows in a wood sash and sill. Each had a rowlock brick hood. A string course of dentilated brick tied the two windows visually. Beneath the windows was a dogtooth soldier course. Originally signage was painted in the blank spot below the windows. The lower portion of the fa9ade has been remodeled several times. Historic photographs show a central entrance flanked by pairs of double-hung windows. All three openings had rowlock brick accents.

In the early 1950s, the storefront was remodeled with large plate glass windows and a recessed entrance. The lower portion had been covered with stucco by the mid-1970s (date unknown). During a 1982 rehabilitation, the central entrance was removed and replaced with a third storefront window. The bulkhead was rebuilt across the façade and there is currently no front entrance to the building. At the same time, the windows were replaced with one-over-one fixed framed. There is a full-width awning (circa 2000) across the storefronts. The secondary elevations are plainer. The east elevation was obliterated by the construction of Johnson Hall in 1898. The west elevation, like the façade, has stucco on the lower portion. There are two upper windows (also 1982 replacements), and a window and door (original, but not in use) on the main level. On the rear (north) elevation are two upper windows (one blocked) and a loading door at the northwest corner of the main level (also blocked). The interior has also been remodeled several times, but the essential spaces remain the same. The upper floor was originally divided into apartments (1930s) and offices. The lower floor remains fairly open as a retail space and a storeroom in the rear. Interior openings were added between the common wall of the two buildings in 1953 (south side) and 1982 (north side).

When Johnson Hall was built adjoining the Deseret Mercantile Building in 1898, the builder, James Jensen,
took care to create a visual continuity between the two buildings, making them a cohesive unit. The façade of the two-story Johnson Hall is divided into three bays by three colossal pilasters. The east pilaster of the west building also doubles as the fourth (west) pilaster of Johnson Hall. The end pilasters are identical. The central pilasters extend above the main parapet to create a brick signboard where the painted words “Johnson Hall” and “A 1898 D” are lightly visible. A castellated parapet of brick flanks the signboard. The corbelled cornice of the Deseret building extends along the façade of Johnson Hall. There are three openings on the upper floor: a central door and transom (now a circa 1980 four-panel replacement), and a pair of double-hung windows in the flanking bays. All have segmental-arched rowlock hoods, similar to the west building. The upper door originally led out to a full-width wood balcony (removed in 1953). The doors and windows on the façade were boarded-up by the 1970s, but restored in 1982. Originally, the lower portion of the façade had pairs of double-hung windows similar to the upper floor. The main entrance was a double door. The storefront was remodeled in 1953 with plate glass windows and a recessed entrance. The lower portion was covered in stucco by the 1970s. The storefront has had only minor alterations since then. There are three blue awnings (circa 1995) in
the three bays.

( This was added to the National Register of Historic Places (#05001628) on February 3, 2006 and is located at 4 West Main Street in Grantsville, Utah )

Johnson Hall measures approximately 32 feet by 71 feet. It was constructed of red brick laid in a running bond. The inner walls are adobe. The foundation is stone, but has been encapsulated in concrete except at the rear (north) elevation. The roof is a low-pitch simple gable visible only on the rear (north) elevation. The east elevation along Hale Street is divided into three wide bays by brick pilasters similar to the south elevation. The castellated parapet is not stepped. Other details of the fa9ade are continued on the east elevation, including the corbelled cornice, dentilated stringcourse, and the rowlock window hoods. Each bay includes two windows with 1982 replacement windows. The lower portion of the elevation has been covered in stucco, now painted a rust color. In 1953, windows on the lower portion of the east elevation were removed and are not visible today. There is a door opening and a concrete stoop at the north end, which is currently blocked. The north (rear) elevation has three upper windows (all blocked). On the main level is a double-wide loading door, which is currently filled-in except for a couple of square replacement windows (circa 1982). The back door (not original) and a concrete stoop are located at the east end. At the northwest corner is a brick chimneystack. This elevation has several historic anchor ties. There is a portion of the west elevation visible where Johnson Hall extends beyond the adjoining building. This elevation is blank except for one upper window. On the interior, Johnson Hall is divided between the main floor retail space and the open upper floor (originally a ballroom). The retail space has a counter to the rear. There are two storage rooms and a restroom leading off a short hall. The interior of Johnson Hall has been remodeled (circa 1950s through 1980s), but retains its historic feel.

The two buildings share a .037-acre parcel. The setback on Main Street allows only for the sidewalk space.
Benches, planters, and a trashcan are next the buildings. Along the east elevation (Hale Street) is a sidewalk and a parking strip of grass. The west elevation is almost at the property line with only a few shrubs and a wood fence near the building. There is a residence on the next parcel to the west. In the rear, the parking area is gravel. There are a few vines growing on the building and a birch tree nearby, but no other landscaping. There are no outbuildings, only a dumpster at the rear of the property. Johnson Hall and the Deseret Mercantile Building are among a handful of historic commercial buildings on Grantsville’s Main Street. The city’s historic commercial buildings are not grouped together, but distributed among the historic homes and newer buildings of the streetscape. Because of their size and historic upper-floor details, the two connected buildings are a landmark in the neighborhood. The buildings are in excellent condition and contribute to the historic resources of Grantsville.

The Johnson Hall/Deseret Mercantile Building, constructed as separate buildings in 1898 and circa 1890
respectively, and joined into a single-use building in 1953, is significant under Criteria A and C for its
association with the economic and social development of Grantsville, and a contribution to its architectural resources. The property is eligible within the Multiple Property Submission: Historic and Architectural Resources of Grantsville, Utah, 1850-1955. The historic evolution of the building spans all three of the MPS historic contexts: “Mormon Agricultural Village Period, 1867-1905,” “Impact of Technology and Transportation Period, 1905-1930,” and the “Economic Diversification Period, 1930-1955.” The original owners were three Johnson brothers (Charles A., Alex, and Leo), who between them made significant contributions to the economic development of Grantsville. The buildings served a variety of purposes, including general store, dance and social hall, bank, post office, and drugstore. The building is architecturally significant for a unity of design (although the two buildings were constructed several years apart) and rich detail in the brickwork. The building is an excellent example of Victorian Eclectic ornamentation in a turn-of-the-century commercial block. Johnson Hall was built by James Jensen, a mason and contractor, living in Grantsville. The two joined buildings are the best-preserved historic commercial blocks on Grantsville’s Main Street. The two buildings are being nominated together because of an associated history, which includes a combined design, ownership, and more recently, usage through most of the historic period. The Johnson Hall/Deseret Mercantile Building complex is a contributing historic resource in Grantsville, Utah.

James and Penninah Wrathall House

21 Thursday Dec 2023

Posted by Jacob Barlow in Uncategorized

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Eastlake style, Grantsville, Historic Homes, Queen Anne style, Tooele County, utah, Victorian Eclectic, Victorian Queen Anne style

James and Penninah Wrathall House

The James and Penninah Wrathall House, built in 1898, is located at 5 North Center Street in Grantsville, Utah. The Wrathall House is a two-story central-block-with-projecting-bays type house. The house is constructed of brick with sandstone foundation, lintels and sills. The style and ornamentation is Queen Anne with an Eastlake style porch. The house has a wood shingle roof with the original decorative shingles on the turret roof. The house has a circa 1940s one-story frame addition at the northwest corner. The 0.84-acre lot includes two contributing outbuildings (a circa 1910 garage and a circa 1900 coop), and one non-contributing outbuilding (a circa 1980s shed). There is also a contributing structure, a circa 1950 metal Butler silo.

Though technically a central-block-with-projecting-bays type house, the footprint of the building is contained within a roughly 40 by 40 foot square. The one-story addition is located in a niche at the northwest corner and extends 12 feet to the north. The house was constructed of brick with a facing of fired red brick and an adobe brick lining on the interior. The brick is laid in a running bond with flush mortar joints. The tan-colored sandstone foundation is rough-faced ashlar blocks with concave mortar. A smooth sandstone stringcourse is above the foundation at the water table. Similarly smooth sandstone blocks provide the lintels and sills from most of the windows. The house faces Center Street to the east. The facade features an octagonal bay to the north and a projecting square turret tower to the south. The centerpiece of the fa9ade is the entrance, which features Eastlake details (spools, spindles, lathe-turned, brackets, etc.) above the main floor entrance and on the second-story porch. The concrete deck and steps, and the wrought iron rail are later additions (circa 1930s-960s).

The Wrathall House has an imposing presence. The attic space under the central truncated pyramidal roof is nearly a story-high. The roof is covered in square-butt wood shingles with a small eyebrow dormer above the main entrance. The slender turret roof is higher than the main roof by ten to twelve feet. It is covered with wood in an alternating pattern offish-scale and square-butt shingles, and is capped metal. The octagonal bay has a simple-gable roof. The bay’s gable trim combines paterae within a weave of wood and a base offishscale shingles. Other ornamentation includes both fan-shaped and scroll-shaped brackets with knobs, and a dentilated cornice. The windows are original (the smaller windows are covered in storm windows, date unknown). The larger windows are fixed frame with transoms. The horizontal mullions are notched with a centered paterae. The tall narrow windows are one-over-one, double-hung wood sash. The front door is original with Victorian carved ornamentation. The exterior wood work is painted grey with dark green accents.

The secondary elevations are less elaborate. Several of the narrow windows on these elevations have been shortened or blocked (circa 1940s to 1970s). The north elevation features a second eyebrow dormer and a leaded and colored-glass window, which lights the staircase. There are corbelled brick chimneystacks on the north and south elevations. The south and east elevations are relatively plain and not easily visible due to the mature trees near the house. The circa 1940s addition at the northwest corner is a one-story frame structure covered in shiplap siding on a concrete foundation. The addition has a concrete stoop on the east side. There are doors on the east and west elevations. The east elevation door is half-glass (with multiple panes). The window also is a multi-pane wood sash window. The west door is at grade level.

( This was added to the National Register of Historic Places (#05001629) on February 3, 2006 and is located at 5 North Center Street in Grantsville, Utah )

On the interior, the house has approximately 2,700 square feet of space divided between the two floors. The full-height attic is expansive, but the basement is only 20 percent excavated. Though a central-block house, because it has a square footprint, the interior feels more like a foursquare. The central entrance has a foyer. The semi-open stair is on the north side. It features a ball and spindle balustrade, knobs, brackets, square newel posts, and a curved rail. At the stair landing, the stained glass window glows in colors of rose and gold. With the exception of the stair rail, the woodwork in the foyer has been painted white. The interior doors are all original with hopper window transoms. The door and window casings feature fluted stiles and paterae. The room in the octagonal bay is to the north. The parlor is on the south in the projecting turret tower. The parlor is the most intact room. The oak woodwork is in excellent condition. The room features an elaborate two-tier mantel featuring columns acanthus-leave capitals, a mirror inset, and a tile surround. The tall oak pocket doors lead to a large dining room in the southwest corner of the house. The kitchen is in the northwest corner. The house has a total of thirteen rooms with four bedrooms and a bath on the second floor. The interior was painted and re-papered in the 1950s.

The Wrathall House is on the south half of a 0.84-acre rectangular parcel. A 0.12-acre portion at the corner of Main and Center Streets was divided from the main property and a one-story commercial building (circa 1970s) sits right at the corner. There is a concrete sidewalk leading from Center Street to the main entrance. A wood fence at the rear separates the house from the Main Street property. The landscaping is overgrown and the mature trees near the house obscure views of the secondary elevations. For many years, two 100-year old evergreens obstructed the façade view, but these trees were cut down recently. North of the house is a large field where the outbuildings are located. They include a contributing wood garage with a simple gable roof. This building was built circa 1900 to 1910 and originally may have been an agricultural outbuilding. South and west of this building is a contributing shed or coop (circa 1910), which is partially dilapidated. There is also a non-contributing circa 1980 wood shed. The round metal Butler silo (circa 1950) is a contributing structure. The James and Penninah Wrathall House is in good condition and contributes to the historic resources of
Grantsville, Utah.

The James and Penninah Wrathall House, built in 1898, is significant under National Register Criteria A and C for its association with the development of Grantsville and its contribution to the architectural resources of the rural Utah community. The owners, James and Penninah Wrathall were prominent second-generation members of the community. The property is eligible within the Multiple Property Submission: Historic and Architectural Resources of Grantsville, Utah, 1850-1955. The history of the house spans all of the historic contexts: “Mormon Agricultural Village Period, 1867-1905,” “Impact of Technology and Transportation Period, 1905-1930,” and the “Economic Diversification Period, 1930-1955.” The Wrathall House is architecturally significant as an unusual and well-preserved example of the Victorian style known as Queen Anne. The design shows the influence of design books, particularly in the Queen Anne and Eastlake details, but the execution by local builder, Charles Z. Schaffer, is unique. The imposing residence is a landmark at the corner of Main and Center Streets. The Wrathall House is a contributing historic resource in Grantsville, Utah.

The community of Grantsville was settled on October 10, 1850, three years after the first settlement of the Salt Lake Valley by members of the Church of Jesus Christ of Latter-day Saints (LDS Church or Mormon Church). After several altercations with the nomadic Native Americans who camped in the area, the Grantsville area was settled and known as Willow Creek. In 1852 a town site was surveyed and in 1853, the town was renamed Grantsville in honor of George D. Grant, who led a company of the territorial militia to protect the settlement. In April of 1890, James L. Wrathall bought Lots 1 & 2 of the Grantsville survey’s Block 3 from fellow Grantsville pioneer John Eastham (1820-1893). At the time a small Victorian cottage was located in the southeast corner of Lot 1. The Wrathall family lived in the cottage while their substantial brick home was construction. The local newspaper pinpointed the construction year in an article dated November 25, 1898, which read: “Bishop Wrathal’s [sic] fine home is nearly completed, all of the latest modern design, and shows the skill and fine machanical [sic] labor of C. Z. Schaffer, the builder.”

James Leishman Wrathall was born in Grantsville on September 22, 1860. He was the son of prominent
Grantsville pioneers, James Wrathall (1828-1896) and Mary Leishman Marston (1822-1871), English
immigrants who came to Utah in 1850. On February 2,1882, James L. Wrathall married Penninah Hunter.
Penninah Susan Hunter was born in Grantsville on January 14, 1862. She was the daughter of Edward Hunter (1821-1892) and Mary Ann Whitesides (1825-1914), who were also English immigrants. James and Penninah had ten children, with the last two born after they moved into their new house.

James Wrathall’s early life was spent herding his father’s cattle and sheep on the plains of Tooele County. He saved and invested, eventually becoming the owner of several large herds of sheep and cattle. He also acquired over 4.000 acres of farm and ranchland. He raised hay and sugar beets. He had a large fruit orchard, which included apples and other small fruits. As a prosperous rancher and farmer, he had numerous business interests: North Willow Irrigation Company, president; Richville Milling Company (flour mill in Tooele), president; Utah-Idaho Sugar Company, stockholder; Consolidated Wagon & Machine Company, stockholder; etc. James Wrathall was a member of the Grantsville City Council. He also served on the Grantsville School Board for thirteen years and on the Tooele County Board of Education for seventeen years. He held numerous leadership positions in the LDS Church, including serving as Grantsville’s bishop between 1890 and 1906. A biographical sketch of James L. Wrathall written in 1919, began: “There is no name perhaps that figures more conspicuously and honorably in connection with the business development of Grantsville and Tooele County than does the name of Wrathall. James L. Wrathall is now extensively engaged in farming in this section of the state and he is also at the head of various important business enterprises which constitute a dominant factor in the general development and progress of the district in which he lives.”

An earlier biographic sketch, noted that “He makes his home in Grantsville, where he erected, in 1898, a
beautiful home of twelve rooms. The house is a two-story brick, and modern in every respect.” According to Lisa Miller, “The Wrathall house was known as one of the most elegant residences in Grantsville. Local
citizens still remember the rosettes that adorned the ceilings in the original parlor and dining room and a grand stairway that features a beautiful stained glass window. The house is also believed to be the first residence in Grantsville to have acquired electricity.” Hazel Johnson, the youngest daughter of James and Penninah, remembers the silverware (which she had to polish every Sunday) and the napkins had the family’s initials on them.

At the age of seventy-three, James L. Wrathall gathered his family around him at home and predicted his death. He died the following day, November 29, 1932. In addition to raising ten children, Penninah Wrathall served in the Relief Society and Primary organizations of the LDS Church. She also served as the president of her local Daughters of Utah Pioneers organization. Penninah Hunter Wrathall died on November 16, 1934.

A portion of the property (Lot 2) had been deeded to a son, Morris Y. Wrathall, in 1931. After Penninah’s
death, the remainder went to Irene Wrathall Page in 1936. Irene Page was listed as living with her parents on the 1930 census enumeration. Irene was born on February 13, 1890 in Grantsville. She married George W. Page in 1918. He died in 1936. It is not known how long Irene lived in the house, but she did rent it out for a few years. In 1944, she sold the property to her sister, Hazel Wrathall Johnson. Irene Page died in Missouri on April 5, 1973. Hazel Wrathall was born on July 18, 1905, the youngest child of James and Penninah. She married Milan Johnson on November 17, 1921. Milan “Mike” C. Johnson was born on October 5, 1903, in Grantsville. They had eight children. The Johnsons remodeled the house and restored portions of the downstairs in the 1950s. They lived in the home until their deaths. He died on September 22, 1978, and she died on August 24,1993. In 1994, ownership was transferred to their daughter, Janice Johnson Sommerfeld, and her husband Sigmund Sommerfeld, who are the current owners.

The Wrathall House is architecturally significant as an imposing and unique adaptation of the Queen Anne style. The Queen Anne style was popularized by the 19th century British architect, Richard Norman Shaw. It was the most picturesque of the various Victorian Eclectic style popular in America in the late 19th century. Variations of the style were popular in Utah between 1884 and 1905. Residential examples are characterized by their asymmetrical façade, irregular plans, and variety in materials. The most common house type for Queen Anne residences was the central block with projecting bays. The Wrathall House is an unusual example: it appears as a block mass (almost a foursquare) flanked by a turret and an octagonal bay. The house includes a variety of juxtaposed materials: rough-faced and smooth stone, brick, wood shingles and other ornamentation. The Eastlake-style porch was adapted from a style book written and illustrated by English architect, Charles Locke Eastlake. Most Eastlake homes were constructed entirely of wood frame and shingle, and lacked the variety of materials of the Queen Anne style. The Eastlake style was popular in Utah between 1880 and 1900, but because Utah builders preferred brick, there are very few pure examples of the style. In Utah, as in the case of the Wrathall House, the Eastlake style is most often found on porches and decorative gable cornices in combination with Queen Anne and other Victorian Eclectic styles.

The builder of the Wrathall House was Charles Zephaniah Shaffer. 8 He was born in Pennsylvania on May 13, 1843. He was living in Grantsville at the time of his marriage to Ellen Barrus in 1895. He was listed as a
“carpenter” in a 1900 business gazetteer. Charles Z. Shaffer is also known to have built the Alex and Mary
Alice Johnson House
at 5 West Main Street in Grantsville, listed on the National Register on December 13, 1995. The Johnson House was built in 1900, two years after the Wrathall House. Shaffer had probably gained confidence as a builder with his work on the Wrathall House. The Johnson House is a more exuberant expressive of the builder’s skill with extended bays and elaborate wrapping Eastlake porches, but it is also more typical than the Wrathall House. The Alex and Mary Alice Johnson House was listed on the National Register of Historic Places in 1996. It is not known whether Shaffer was responsible for other Queen Anne homes in the Grantsville area.9 Charles Z. Shaffer died in Grantsville on August 29,1904.

L. R. Anderson Home

08 Friday Dec 2023

Posted by Jacob Barlow in Uncategorized

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Manti, NRHP, Queen Anne style, Sanpete County, utah, Victorian Eclectic

L. R. Anderson Home / Lewis and Clara Anderson House

The Lewis and Clara Anderson House, built 1886-1915, is an excellent example of a Victorian Eclectic with Queen Anne detailing house style remaining from the historic period in Manti. This style of architecture documents an important period of growth in Manti and the Sanpete Valley. The design, though executed by a local builder influenced by pattern-books, combines a remarkable unity of composition with elaborate decoration. With its prominent position on Main Street, the Anderson house is one of the most distinctive architectural landmarks of Manti. Both the exterior and interior details of the home have been extraordinarily well-preserved. The Anderson house is also significant for its association with L. R. Anderson, a prominent church leader, politician, and rancher in the area. His leadership in the town of Manti was extensive and impacted the direction of its growth during the first part of the twentieth century.

The Victorian Eclectic style is reflective of changes that occurred in Utah near the turn of the century. The architecture in Utah was founded in American building traditions and the early builders had been, for the most part, isolated from the secular influences of much of the country and used established methods brought with them from their homes of origin. As Utah grew and became more integrated with non-Mormons, the architectural styles that were made popular through pattern books were readily available to Utah builders. The building boom of the 1880s and 1890s corresponded with the growth of the non-Mormon population in Utah and brought with it the opportunity to bring in new building traditions such as those published in the style books, popular in Utah during the late nineteenth and early twentieth centuries. With the introduction of plan books, “the former isolation of rural areas was no longer an obstacle to building due to the widespread dissemination of information and building materials.” Plan book Victorian stylistic features were based upon the use of multiple forms and elements and were probably influential in building the uniquely stylized, eclectic, Lewis and Clara Anderson. The Victorian Eclectic style was popular in Utah between 1885-1905.


Located at 542 South Main Street in Manti, Utah and added to the National Historic Register (#97001629) on January 12, 1998.

Anderson History

Lewis R. (L. R.) Anderson was born in Fountain Green on March 26,1872 to Lewis and Mary Ann Crowther Anderson. L. R. attended Snow College and Brigham Young Academy before becoming a wool broker and rancher. He worked with his father and brothers in the industry and in 1907, along with other investors, acquired ranches in Salina Canyon and incorporated the Manti Livestock Company. He was a prominent personality in the community. He served as mayor of Manti for six years (1902-08). He ran for mayor on a “no more floods program” platform. Under his leadership as mayor, the town of Manti petitioned President Theodore Roosevelt to create a national forest reserve on their mountain. President Roosevelt did so by executive order on May 29,1903. As a result livestock grazing and other use in Manti Canyon was placed under proper management, vegetation was restored on the steep slopes and no more serious floods occurred.

L. R. was an LDS stake president and temple president for 16 years (1943-59), performing the ordinances and ceremonies sacred to the Mormon culture. He and his wife, Clara, entertained LDS general authorities, civic leaders, and numerous businessmen in their home. L.R. served on the Utah State Legislature beginning in 1913 for two terms and was selected as the Speaker of the House of Representatives. During the legislative session, his family lived with him in Salt Lake City. His wife, Clara Maria Munk, was born in Manti on September 4,1873 to Peter Mikkel and Eunice Ann Brown Munk. She and L.R. were married in the Manti Temple on December 11,1895. During the first years of their marriage, L.R. was employed to run the Central Utah Wool Company for $75/month, and Clara was a school teacher for $25/month. L.R. and Clara raised four girls and three boys in this home. During the time L.R. was president of the Manti Temple, Clara was the matron. She also held many positions in the Relief Society, and was president of the Manti Camp of the Daughters of Utah Pioneers. Clara was interested in music and taught it to her children. She considered her primary responsibility to be homemaking, and she helped L. R. entertain the many dignitaries that visited their home.

L. R. began building this house in 1896. The house initially consisted of only two rooms. L. R. was called on an LDS mission for two years and when he returned he began construction on the staircase and upper bedrooms. He later added the back bathroom and kitchen, as well as the basement. Most of these additions were completed by 1899. In 1910, he fenced in the front yard with a wrought iron fence. The last addition to the house was made in 1915 when L. R. built a large bay window in the dining room to display Clara’s plants. In the 1920s, L. R. built a chicken coop and a brick carriage house in the back yard. The Andersons lived here until their deaths, L. R. on October 19,1968, and Clara on May 22,1978.

Ronald and Eleanor Mason Sessions purchased the house in 1992. Since then they have done extensive restoration work, such as removing the paint from the exterior brick, restoring the wood finishes throughout the house, and refinishing the floors. They have also reproduced leaded glass windows through the use of historic photos. They added the turret dormer on the north side of the house.

Manti History

Manti, the county seat of Sanpete County, was settled in late November 1849 by 224 men, women, and children, the first settlement south of Provo, Utah. Ute chief Walker invited President Brigham Young of the Church of Jesus Christ of Latter-day Saints (the Mormons) to send a colony of his people to join the encampments of Chief Sanpeetch’s people already in the valley. Jesse W. Fox surveyed the plat 1 for the “city” in the same summer, and Manti was incorporated in February 1851.

Pioneer subsistence agriculture soon gave way to the production of grain for the market. The Indian hostilities that had began in the 1850s ended in the 1870s opening. Adjacent mountain rangelands during the summer for a range livestock industry, mostly large sheep herds. Hay production increased subsequently. Then between 1889 and about 1905 most Sanpete Valley towns experienced annual summer floods, which followed cloudbursts on overgrazed lands at elevations over 8,000 feet. In the 1890s the Manti City Council put into effect the political action that by 1903 resulted in the protection of its watershed by the federal Forest Service: the Manti National Forest.

The railroad system was important to the town’s agricultural and ranching industries. The first into Manti was the Sanpete Valley Railway in 1880, from Nephi. The Denver and Rio Grande Western (D&RGW) completed its line to Manti from thistle Junction in 1890, and extended its operations beyond Manti the following year. The D&RGW purchased the Sanpete Valley Railway in 1910, and immediately abolished its section between Ephraim and Manti. The last passenger train left Manti for Salt Lake City in 1949.

The Church of Jesus Christ of Latter-day Saints is a significant part of the town of Manti and is closely tied to its leadership. The Mormon temple, begun in 1877 and dedicated in 1888, is an important part of the community’s cultural makeup and is a central focus of the town. The LDS concept of the relationship between this world and the next is related to the sacred ceremonies of the temples. Only active Latter-day Saints may enter the temples. Mormons attend the temples to perform baptism, “endowment,” marriage, and “sealing,” and other ordinances for themselves and vicariously in behalf of the dead, especially loved ones and ancestors, in the belief that the dead will hear the gospel preached, that these earthly ordinances must be performed for them, and that they will have their own opportunity to accept or reject. The site of the Manti Temple is where over 100,000 people come yearly to witness the “Mormon Miracle Pageant”.

L.R. & Clara Anderson House

This Victorian Eclectic and Queen Anne style house remains as one of the most distinctive architectural landmarks of Manti. The house, which initially consisted of only two rooms, was begun in 1896 by Lewis R. (L.R.) Anderson. After he returned from a two-year LDS mission, he began construction on the staircase and upper bedrooms, adding the back bathroom, kitchen, and basement by 1899. The last addition was made in 1915 when he built a large bay window in the dining room to display Clara’s plants. The chicken coop and brick carriage house were built in the 1920s.

L.R. was a wool broker and rancher, served as mayor of Manti (1902-08), was a member of the Utah State Legislature (1913-17), and was an LDS church stake president and temple president (1943-59). He and Clara, married in the Manti Temple in 1895, raised four girls and three boys in this home. They entertained LDS general authorities, civic leaders, and numerous businessmen here. Clara was temple matron, held many positions in the Relief Society, and was president of the Manti Camp of the Daughters of Utah Pioneers. L.R. and Clara lived here until their deaths in 1968 and 1978, respectively.

Shomaker House

08 Friday Dec 2023

Posted by Jacob Barlow in Uncategorized

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Historic Homes, Manti, NRHP, oolite limestone, Sanpete County, utah, Victorian Eclectic

Shomaker House

This house was the first home in Manti to have electricity. It was built in 1851 by Ezra Shomaker. The east addition was added around 1900. Shomaker served as Manti mayor twice. the house was recently rescued from demolition and is being restored by Shannon and Jim Miller.

The house is the 2nd oldest home still standing on its original foundation in Utah (after the Fielding Garr Ranch House).

It is located at 194 West 400 North in Manti, Utah and was added to the National Historic Register (#14000864) on October 15, 2014.

The Ezra and Abigail Tuttle Shomaker House, is a 1½-story stone and brick house, located at 194 W. 400 North in Manti, Sanpete County, Utah. The Greek Revival and Victorian Eclectic-style house was built in three major phases between 1866 and 1895. The earliest section of the house is a 1½-story Greek Revival-style hall-parlor house built of cream-colored limestone circa 1866. Around 1880, a one-story stone ell was built on the rear. The final wing was built of brick circa 1895, and modified the floor plan to a double cross wing or H plan. The north porch was enclosed a few years later, and later rebuilt in 2010. The house is built on a stone foundation with some areas of newer concrete. The roof was resheathed with small grey fiberglass shingles in 2004. The Shomaker House sits on the southwest corner of a one-acre lot with new landscaping. The property includes a non-contributing altered stone garage, and a contributing group of small, connected agricultural structures. A non-contributing garage and workshop was built behind the house in 2007. The current owners, who purchased the house in 2002, have completed a substantial eight-year rehabilitation of the house. The 2003 to 2011 rehabilitation has reversed a considerable amount of damage and alteration to the property that occurred during in the 1980s and 1990s, and has modified the interior plan.

The Shomaker house faces west. The walls of the hall parlor (west wing) are built of a cream-colored oolite limestone laid in coursed ashlar. The blocks are finished to various lengths but trimmed to a uniform height to allow for even courses. The surface of the stones is only lightly tooled. The mortar was later replaced with a Portland cement mix, but the current owners have recently removed the concrete and replaced it with a lime-based mortar. The foot print of the west wing is approximately 36 feet by 19 feet. The ridgeline of the simple gable roof runs parallel to 200 West. The façade (west elevation) of the hall parlor is symmetrical with a full-width porch. The porch deck is a circa 1950s concrete replacement for the original wood deck. The porch roof is hipped and supported on square columns featuring paneled-box capitals and plinths. There are four full columns and two engaged columns with slender arched brackets between them. This Victorian Eclectic-style porch was probably added to the house circa 1895. A similar porch is found on the south elevation of the ell. The porch elements were rehabilitated and missing pieces replicated during the recent rehabilitation. The porch wood is painted white.

Around 1920, the front porch was altered to add a sleeping-porch dormer to the center of the façade.
The sleeping porch had screened windows and a shingled base. The screens were replaced with aluminum windows in the 1970s. During the recent rehabilitation, the heavily damaged dormer was retained, but rebuilt to be open with simpler style to complement the classical elements of the façade. The dormer is sheathed with narrow boards. It has a new door flanked by two double-hung windows. The pedimented dormer roof is supported by columns similar to the main porch, and a wood balustrade with simple square balusters runs between each of the columns. The west-facing principal façade is symmetrically composed, with a center door flanked by a pair of double-hung vinyl windows on the main floor with false muntins in a nine-over-nine pattern. The original wood casings were retained to frame the window openings. The limestone stone lintels and sills are dressed, and also serve as a decorative element for all the window openings.

Williamson-Johnson House

24 Tuesday Jan 2023

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Victorian Eclectic

This one and one-half story, painted-brick ,Victorian Eclectic house, built in 1903, has a central block plan with projecting bays. A wide frieze with dentils and stylized brackets runs around the house under wide overhanging eaves, and the three projecting bays feature exotic arched windows within cornice returns. A water table is defined approximately four feet above grade with two rows of ashlar bricks.

Several changes have been made to the masonry. The front door has been partially filled in with fieldstone, and most of the windows on the east (rear) and north sides have been altered on shape or size. All of the windows have aluminum replacement sashes. The yellow, asphalt shingle pyramidal roof is in good condition, and a weather vane sits at the top. A small, one story frame addition sits at the rear of the house behind the south-facing bay, and a redwood deck has been attached to the rear (east) of the house. A concrete one-car garage is located to the south of the house and bears the inscription “1937 AHJ” above the door. A frame shed next to the garage dates from around the same time.

The front (west) façade features a gabled bay that projects out less than one foot. The centered first story window has a large fixed sash with elliptical stained glass transom above. The upper window has a triangular transom, and the window hood forms an exotic arch around it. Both windows have heavy, ashlar arched hoods with corbelled ends. A concrete porch leads up to the front door, which has been made shorter and narrower with fieldstone infill.

The south façade features exotic arched windows in both the main block and the upper bay at the right. A large fixed window on the main story of the bay matches the one on the front. A one story frame addition with vertical wood siding and hipped roof sits in the ell between the south bay and the rear façade.

The rear (east) façade is partially protected with a canvas awning that spans the deck. Two tall narrow windows with soldier arches have been bricked in and replaced with square aluminum sashes.

All the windows on the first story of the north façade have been changed from tall narrow openings with soldier brick retrieving arches to square or horizontal windows with aluminum sashes. The upper story of the gable at the center of this façade has an exotic arched window matching the others. A tall corbelled chimney on the north roof pitch is in good condition.

This land on which this home sits was originally patented to Roswell Ferre in 1872. This originally
unincorporated section of Geneva Road between Provo and Orem was historically called Lake View. Ten years later Ferre deeded almost nine acres of land to John Williamson. Williamson’s son John, Jr. and his wife, Lovina Clark were married in 1900, and they built this yellow brick home three years later, complete with indoor plumbing and a stove in every room. John, Jr. was born in Lake View February 5,1880.

Sometime between 1911 and 1913, John, Jr. and Lovina sold the home to John’s cousin Alfred Henry Johnson and his wife Mary Murl Holdaway. Alfred was a farmer, supporting his family with dairy cattle, and hay, grain, and sugar beet crops. During the Great Depression Alfred had thirty-five cows. The couple had five children (one died as a toddler), before Mary passed away in 1923 . One year later Alfred married Frances Madsen of Sanpete County in the Manti Temple of the Church of Jesus Christ of Latter-day Saints (Mormon Church). Together they had two children, the younger being current home owner/Edward Dale Johnson. Alfred parceled off four-tenths of an acre at the northwest corner of this property in 1935 to his second son, Dean Alfred. That year, Dean completed a home on that plot.

In 1949 Alfred deeded the house and one acre of land to his son Edward Dale “Ted,” shortly after Ted’s marriage to Wanda. Alfred kept the farm land, and he and Frances moved down the road. Ted went to work for his father, and they ran the farm together until Alfred’s retirement. Ted took over the family farm at that time, as all of his brothers had their own farming operations in Lake View. Alfred passed away in 1968, and Frances died in 1974.

Numerous changes have been made to the house. In 1933 Alfred and Frances removed the uncovered porch that spanned the front façade. Two years later they remodeled the interior, enclosing the open staircase and sealing three sets of pocket doors in the front rooms. Electricity came to Lake View early in the twentieth century, and this house was hooked up around 1913. Since Ted and Wanda have owned the home, they have altered the window openings on the rear and north (side) facades, and replaced all of the openings with aluminum sashes, and they have lowered all of the first story ceilings. In 1959 the home heating system was converted from coal to gas, and twenty years later the rear screened porch was enclosed.

Located at 1269 South Geneva Road in Orem, Utah

Charles W. Cross Home

17 Saturday Dec 2022

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Historic Homes, NRHP, Ogden, Queen Anne style, utah, Victorian, Victorian Eclectic, Weber County

Charles W. Cross Home

Built c. 1891, the Charles W. Cross House is architecturally significant as one of about fourteen well preserved, documented, extant examples of houses in the Ogden area that reflect the influence of the Queen Anne Style in that area. Of those fourteen, three houses are high style examples, and three are Queen Anne cottages. Eight of the houses are two story examples whose plans and designs, like those of the Queen Anne cottages, were probably either drawn from or influenced by house pattern books. As one of those eight houses, the Cross House is one of the best preserved examples. In addition, it is also more clearly tied to pattern book sources than are the other houses, because its plan and elevation are almost identical to 462 17th Street, the house across the street.

This home was added to the National Historic Register (#84002434) July 12, 1984 and is located at 451 17th Street in Ogden, Utah

Charles W. Cross was born at London, England in 1861. He came to Utah sometime in 1880. Cross was a harness maker and established a shop in Ogden, Utah. He had a frame building on stiles built to serve as his shop. About ten years later, apparently to expand his business, Cross had a two-story building constructed and took on his brother, Alfred Cross, as a partner. His brother died several years later and Cross continued on with the business. Cross apparently acquired a large holding of Ogden area property. An obituary that appeared in the Deseret News states, “It is believed that he was the heaviest taxpayer for his years in the city [Ogden].” In addition to his harness and saddlery business Cross managed his real estate interests.

Cross married Annie Cave and they had five children. In 1900 Cross was elected as an Ogden City councilman and was re-elected in 1901. He served as the chairman of the committee on public buildings and grounds as well as on “several other important committees, where he rendered conspicuous service.” Cross was serving on the city council when he died , at the age of 44, on April 29, 1903 in the house on 17th Street.

In 1903, after Cross’s death, the harness and saddlery company was incorporated with his son, Charles Cross Jr., his mother, Avis Cross, and his sister listed as the owners. The business continued to operate under the name of the C.W. Cross Company and is now known as the Cross Western Store.

The Cross house is significant as an example of the type of houses that were built during Ogden’s early 1890s boom period which resulted in the building of numerous houses and the formation of many additions and subdivisions. Ogden newspapers indicated that in 1890 the area was experiencing a building boom and a proliferation of subdivisions and additions. On March 19, 1890 The Semi-Weekly Standard commented, “The question of house room is becoming too serious. Unless the builders get more force into the field, tents will be in demand.” Later, on July, 19, 1890 another article on the building situation was headlined, “The Building Boon Our Residence Supply Fearfully Inadequate-Demand For Houses Is Enormous.”

The growth of the city was attributed to the publicity that the city had been receiving. The publicity was probably of a promotional nature since local businessmen and eastern investors were interested in seeing the area grow. From interviews with real estate men in the city it was claimed that each company was receiving twenty calls per day and that if housing the were available it would be immediately rented or purchased.

One means of meeting the need for more housing was shipping in 11 ready-made” houses by train from St. Paul. These houses were substantial buildings. They cost from $600 to $5,000 and were two stories with four rooms on the first floor and two rooms on the second. The company putting up the buildings promised a foundation that was 18 inches deep, two coats of plaster, two coats of paint, outhouses in the rear, a board fence around the lot, and a picket fence in front of the house.

On June 25, 1890, the Semi-Weekly Standard announced, in a regular article, that the Riverside Park addition, the area where the C.W. Cross house was built, was open for sale by the Utah Loan and Trust Company. The N. Farr Land, Loan and Trust Company served as the agents for the addition. The advantage of the Riverside Park addition was its proximity to the center of town. Since such property was scarce the addition was felt to be valuable. However, it appears that only several houses were built in the addition at this time. The Cross House and the house across the street, 467 17th Street, are the only identified houses in the vicinity that date from this period. By 1892 C.W. Cross was living in the house. It is not known whether Cross had the house built or whether the house was built by the developers of the Riverside Park addition. The similarity of the Cross house with the one across the street, 467 17th Street, might indicate that the area was developed according to a plan and that the developers relied on house pattern book sources.

Built in 1890-91, the Charles W, Cross house is a two story example of the typical expression of the Queen Anne style in Utah. It is likely that the design for this house was derived from pattern books of the late nineteenth century. It is a brick house with an irregular plan, a stone foundation, and a pyramid roof off of which three gable roof cross-wings project. The house is oriented north, and the cross-wings are on the east, west and north sides. Each of the cross-wings terminates in a three part bay topped by a decorative gable. The main double door entrance is on the east half of the north façade. The porch over the entrance wraps around the northeast corner of the building, and is distinguished at the corner by a conical roof which caps a circular projection of the porch floor. A second smaller entrance opens off the porch into a panel of the east façade three part bay. Fluted columns support the porch roof, and there is a lathe-turned balustrade. There is a small second story screen porch over the main entrance which is topped by a small gable roof projection off the main roof. That porch is connected to the east panel of the north façade three part bay.

Double hung sash windows pierce each of the panels of the three part bays. There is a single double hung sash window per story on all panels of each window bay. The relieving arches of the first story windows are accented by decorative brickwork, compared with the simple arches of the second story windows. A band of stained glass lights frame the upper sash of each window the three part bays. The pediments of the gable section over each three part window bay are highlighted by fish-scale patterned shingles, a bargeboard into which a decorative pattern has been incised, and a small rectangular window with a simple pediment over it. Large decorative brackets intersect below the corners of each pediment. Decorative posts support the second story screen porch, and a unique spindle band spans the spaces between posts. A sunburst decorative element fills the pediment of the porch gable.

A one story brick kitchen wing is attached to the rear of the house. It is more elaborate than most extensions of this type, resembling a small Victorian cottage. It has a multi-hip roof which terminates in a gable projecting over a three part bay at the rear of the house. The use of diamond patterned shingles in the gable section reflects an attempt to visually tie the rear extension with the rest of the house. A back entrance opens off a small open porch which is attached to the east side of the three part bay. The windows of the kitchen wing are the double hung sash type. Some of them are Distinguished by rough cut red sandstone sills. The sills of the main section as well as those of the first section of the kitchen have smooth concrete sills. It is possible that the rear section of the kitchen wing was added some time after the construction of both the main body of the house and the first section of the kitchen wing. A slight difference between the color of the brick of the two story section and that of the kitchen wing suggest that the entire kitchen wing may not be original. If not original, however, the wing was probably built soon after the original construction, and complements the house in materials, style, decorative elements and massing. A one story gable roof extension was added to the west side of the kitchen extension. It has asbestos siding, and was probably added in the 1950s. Because of its scale and location it is an unobtrusive alteration which does not affect the original character of the building.

The organization of rooms on the interior of the house is typical of Victorian design. The plan is asymmetrically arranged with a hall on the east side, from which a staircase rises to the second floor. Behind the hall is a dining room. On the west side of the house are two parlors, one behind the other. Upstairs, two bedrooms are aligned one behind the other over the parlors, and there is a third bedroom over the dining room. There is no hall on the second story, except for the foyer where the stairs come up from the first floor. The rooms merely open one into the other. All of the original moldings are intact. They are grooved moldings with distinctive corner blocks typical of Victorian design. The moldings in the front parlor, which flanks the hall, are hand grained, and are accented with gold leaf. The fireplace in that room has an ornate oak mantel with a distinctive hearth of decorative tiles. The kitchen wing consists of three rooms built within the historic period, and three rooms that are in the asbestos sided wing. The three rooms in the brick section include an entry hall flanked by a small room behind which is a large kitchen. A second set of stairs rises from that room to an attic section which has been converted to several small bedrooms, and connects with the second story of the main section of the house. A bathroom, one long hall, and a single work room occupy the space of the asbestos sided addition.

This house is a fine example of Utah’s expression of the Queen Anne style. Typical of the Queen Anne style is the asymmetrical composition, and the variety of materials, texture, and color. Brick was used instead of wood, the common building material for examples of the style in other parts of the country, because it was probably the most readily available material. The brick, however, contrasts with the stone of the foundation and the wood of the gable sections and porches. An active visual image was created by topping the irregular form with a hip roof from which several gable sections project in various directions. The decorative brickwork over the windows and along the major chimney flue, in combination with the patterned shingles and bargeboards of the gable sections and the stained glass panels of the window sashes provide a variety of textures and patterns. Two colors have been combined on the gable sections and contrast with the red bricks. The conical roof on the porch, the multi-planed roof, the fish-scale shingles on the gable sections, the stained glass lights around the upper sashes of the windows, the bargeboards, and the wrap around porch are elements that are typical of the Queen Anne style.

It is likely that the basis for the plan and design of the Cross house probably originated in popular plan books. The Cross house was built at a time when there was a nation wide trend to own a home in the suburbs. Architectural pattern books provided the source of inspiration for the prospective suburb homeowner who desired a home that would meet personal needs, announce financial and social aspirations, and be a singular and personal expression of taste and preference.’ Because the Cross House is very similar to the house across the street, 462 17th Street, and the plan of the house is similar to other houses whose designs have been attributed to pattern book sources, it seems probable that the design of the Cross house is in part the product of a pattern book design.

The Charles W. Cross home was built in 1891 as one of the first homes to be constructed in the newly platted Riverside Addition to the City of Ogden. The Home incorporates many of the best elements of the late Victorian Ecclecticism, seen in the broad use of color and texture and in the extensive efforts to achieve visual variety and interest.

C.W. Cross, Sr. was a local harness maker, with a store located on Washington Boulevard. He was serving as an Ogden City Councilman at the time of his death in 1903.

The elaborate Queen Anne front porch was added by Mr. Cross in an effort to out-do his neighbor, fellow entrepreneur and long-time rival William Craig. Mr. Craig had built his family home at 462 17th Street, across the street. The original Cross porch looked very similar to the Craig front porch, before it was altered. In the spirit of competition Mr. Craig sold this property and built a second family home directly across Adams Avenue.

American Fork 3rd Ward Meeting House

12 Sunday Jun 2022

Posted by Jacob Barlow in Uncategorized

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American Fork, Gothic Revival, Historic Chapels, Historic Churches, Jacobethan Revival, NRHP, utah, utah county, Victorian Eclectic

The American Fork 3rd Ward Meetinghouse, constructed in 1903 and expanded in 1938 and in the 1950’s, is significant for its association with the growth of The Church of Jesus Christ of Latter-day Saints (LDS or Mormon Church) in northwest American Fork and for its importance to the community and the patterns of social life seen in its use.

Architecturally, the building is significant as an artifact documenting evolution of and influences on architectural styles and customs of the LDS Church during the first half of the century. This era, when the church (officially) established standardized design for its church buildings, is believed by architectural historians to be the golden age of Mormon meetinghouse architecture.

This building is one of four meetinghouses designed and built by local craftsmen and ward members in American Fork, and it reflects the popularity of the Gothic Revival and Victorian Eclectic styles in church buildings during this era. The 1938 addition of a Jacobethan Revival-style recreation hall and classroom wing, designed by the church architectural department, reflects the church’s policy of including all church functions under one roof; previously separate amusement halls had been the policy. The 1958 addition and interior renovation, designed by Clifford Evans Architects, was a conservatively modern attempt to adapt the original structure to a growing ward membership.

The church sold the building in 1995 due to its limited size. After being a daycare center, it was purchased in January 2001 by the Hawker family, who then initiated the extensive renovation, working closely with the National Historic Register to preserve its historic value. The grand opening of Northampton House, a wedding, banquet, and reception hall, took place in October 2001.

Located at 198 West 300 North in American Fork, Utah and added to the National Register of Historic Places (#02001554) in 2003.

Narrative Statement of Significance

The American Fork Third Ward Meetinghouse, built in 1903 and expanded in 1938 and the 1950s, is significant under the “Meetinghouses & Tabernacles” context of the Mormon Church Buildings in Utah: 1847-1936 multiple resource nomination, for its association with the growth of the Church of Jesus Christ of Latter-day Saints (LDS or Mormon Church) membership in the northwest portion of American Fork, Utah. The building is significant under Criterion A for its importance to the community and the patterns of social life seen in its use. The building is also significant under Criterion C as an important document of the influences on and changes in architectural styles and customs of the LDS Church during the first half of the twentieth century. The original 1903 chapel is one of four churches, designed and built by local craftsman and ward members, and reflected the popularity of the Gothic Revival and the Victorian Eclectic in turn-of-the-century church construction. The1938 addition of a recreation hall and classroom wing, designed and directed by a strong church central architectural department, was Jacobethan in style and reflected the church’s policy of including all church auxiliaries and functions under one roof. The 1958 addition and interior renovation, designed by a Salt Lake firm with ties to the church, was a conservatively modern attempt to adapt the original structure for a growing membership. Between January and September 2001 the American Fork Third Ward Meetinghouse was extensively rehabilitated to adapt the building for use as a reception center. This work was being completed as a historic tax credit project, and included the restoration of several original features. The building is in excellent condition and is a contributing historic resource of American Fork.

HISTORY OF THE AMERICAN FORK THIRD WARD MEETINGHOUSE

In the summer of 1850, three years after members of the Church of Jesus Christ of Latter-day Saints arrived in the Salt Lake valley, pioneers camped in the area now known as American Fork while traveling to Provo, fifteen miles to the south. Impressed by the area, Arza Adams and Stephen Chipman asked permission from Brigham Young to establish a cattle ranch, but were instructed to survey several tracts for settlement. The initial pattern of settlement in 1851 differed from the traditional Mormon villages because the settlers chose to first live and farm along the creek where they had access to water rather than build on the small orderly town lots. Indian unrest resulted in the construction of a fort in 1853, and from then on the settlement was less dispersed and the town grew within the town site. For most of the 1850s through 1870s, American Fork residents relied on ranching and subsistence farming, lived in simple log and adobe homes, and held meetings in an adobe building, also used as a school. The city was incorporated on June 18, 1853, as Lake City, and later the name was officially changed to American Fork in 1860.

Economic growth came in the late nineteenth century as the city became stable enough to strengthen municipal institutions and support mercantile trading. The Deseret Telegraph Company established an office in American Fork in 1867. By 1870, a narrow gauge railroad was built to the nearby canyon to support mining activity, and a major event occurred in 1873 when the Utah Southern Railroad extended its service to American Fork.

Mining brought cash to support a growing mercantile base, and brickyards and lumber mills allowed residents to construct more substantial and stylish homes and businesses. When the Denver & Rio Grande Railroad reached American Fork in 1883, the city was experiencing intensive commercial growth and municipal maturity. Between 1890 and 1900, the population of the city grew from 1,942 to 2,732.

The American Fork Ward of the LDS Church was organized on May 5, 1851, and was the social focus of the practically the entire town for fifty years. On January 13, 1901, a general reorganization of the LDS Church in Utah County took place. The original Utah Stake of Zion (a stake is equivalent to a diocese), which once encompassed all LDS wards (equivalent to parishes) in the county, was divided into three stakes. The northern portion of the county, which included American Fork, became the new Alpine Stake. Six months later, on July 14, 1901, the American Fork Ward was divided into four wards, each comprising a quadrant of the city. A committee was appointed in each of the four wards to locate a site on which to building a ward chapel. The four buildings were completed by 1905, and all were rectangular buildings with towers at one corner and Gothic Revival details. Local carpenter, Arthur Dickerson (1874-1949) designed the Third Ward. The four ward bishops bought the brick together because they could get a good price for such a large quantity. All four chapels were later expanded (1920s-1930s) to include recreation hall and additional classrooms. Of the four buildings, only two are extant: the Second Ward Meetinghouse, which was listed in the National Register of Historic Places in 1992, and later incorporated into the American Fork Historic District in 1998; and the Third Ward building. The Fourth Ward building was destroyed by fire on June 28, 1975, and the First Ward was demolished in the late 1960s.

The American Fork Third Ward included all the members living in the northwest quadrant of the city. A corner lot at 190 West 300 North belonging to the Thomas Shelley (1822-1903) family was acquired by John R. Hindley (1863-1947), first bishop of the Third Ward, for the sum of four hundred dollars in May 1902. On October 3rd, Hindley transferred the deed to the American Fork Third Ward to be administered by him as bishop and by his successors. Excavation on the building commenced in April 1903. Members began holding services in the basement as soon as the first room was finished. The chapel was completed by 1905. With few exceptions, the labor to build the edifice was donated by ward members. The building was completed at a cost of $9,099.75. Both the Third and Fourth Ward chapels were dedicated on March 17, 1907. A photograph taken on that Sunday morning indicates a crowd of more than 200 in attendance at the Third Ward service. An interior photograph taken that year shows the chapel with metal frame, theater-type seats, elaborate woodwork in the podium-pulpit area, and a large coal burning stove to provide heat. A second smaller stove was located in the basement. According to Ellen Tracy, historian of the Third Ward, the “grounds were lovely with grass and trees. North of the building were hitching posts for those who had to come with horse and buggy or wagons. And back of the hitching posts was a grove of trees and grass where many socials were held.” The manuscript history of the ward notes a second dedication on September 3, 1908, by Joseph F. Smith.

The ward grew steadily and by July 1915, the northern-most portion of the ward boundaries was given to the Highland and Alpine Wards, with a transfer of 95 members. The ward continued to grow, but for many years the original chapel was more than adequate especially since extremely large groups could by accommodated in the Alpine Stake Tabernacle, built between 1909 and 1914. In 1929, with a ward membership of 659, a committee was formed to discuss the building of an amusement hall. During the previous decade the LDS Church had instituted a policy of including all ward auxiliaries and functions under one roof. For example, the Third Ward Relief Society (the ladies’ auxiliary) converted an old school house to a Relief Society Hall in which they held meetings for eighteen years. The anticipated construction was postponed; however there appears to have been some minor renovation work in the chapel and basement by contractors of the Chipman Mercantile Company completed in 1929. By 1932, the ward was paid off the debt for this work and began again to consider an addition. In June 1937, the ward approved plans for a new recreation hall and classroom block provided by the church architectural department, and work commenced exactly one year later. The general contractor for the project was again Chipman Mercantile of American Fork. Electrical work awarded to Samuel F. Grant of American Fork, and Utah Fuel Supply of Salt Lake City was awarded the heating contract. Work proceeded so quickly that by October 1938, the building committee was able to report the brickwork was complete and the shingling nearly complete. The building was mostly finished by 1939 and more than double the existing floor space. The recreation hall included a basketball court, stage area, and projection room (movies were a popular ward social event in the 1930s and 1940s). The classroom wing included twelve classrooms, a Relief Society room, bishop’s office and kitchen. Other amenities included new restrooms, a cloakroom, and remodeling of the basement.

Though the project was not completely finished until 1942, the majority of work took less than a year partly because more paid labor was used than in previous projects. Final cost was about $30,000, with the general church fund providing sixty percent of the cost and the ward financing forty percent. This left the ward with a hefty debt on the building. Several methods of fond raising were used. The ward held benefit banquets, including a January 1939 dinner held for the general public in the basement of the tabernacle. In 1940 the Relief Society raised funds by sewing a quilt featuring the names of all the officers who had served in various ward capacities since 1901. One enthusiastic member issued a challenge to the priesthood that he would match dollar for dollar all funds donated by other ward members. The amount was considerably more than he anticipated, but he came through and paid up. The completion of the new wing raised enthusiasm in the ward. The year 1939 was a banner year for perfect attendance awards.

Throughout the first half of the twentieth century, American Fork was a primarily agrarian community. Though only a few residents participated in large-scale agricultural production, most families supplemented their employment by having vegetable gardens, small orchards, and chicken coops on their large lots. Growth in the community was slow, the population of American Fork increased by less than 700 between 1910 and 1940. World War II brought the Geneva Steel Plant and thousands of defense workers to Utah County. Many stayed in the area, and by 1950, the population of American Fork had jumped to 5,126. The large lots within the Third Ward boundaries began to be subdivided to accommodate the post-war housing boom. In January 1950, with a ward membership of 1,022, the Third Ward was divided creating the Eighth Ward whose members lived on the east side of 100 West. The division necessitated staggering meeting times in order to share the building. The Eighth Ward later moved into a new building with the Sixth Ward.

In April 1956, a committee was organized to study possible additions and renovations to the Third Ward
building. The accepted proposal was projected at a cost of $48,850. Dal Allred of Clifford Evans Architects, a Salt Lake firm with long-standing ties to the LDS Church designed the classroom-office wing to the west, and a substantial remodel of the chapel. Renovation work began on February 29, 1957, when the men and boys of the ward removed the original chapel seats. Meetings were held in the Alpine Stake Tabernacle during the construction. The ward held seven building-fund banquets and other entertainments to help defray construction costs. Virtually all of the building received some type of renovation, but the most significant alteration was made in the chapel where the original podium pulpit was removed and a new one built at the opposite end. All new landscaping and expanded parking facilities were also included in the project. The final cost of the 1957-1958 work was estimated at $85,885.77. Four hundred fifty members (out of a ward population of 940) attended dedication services on December 14, 1958.

The design of the renovation was intended to accommodate two wards in the building, which occurred in March 1959 when the ward was again divided. The new Tenth Ward took all members north of 500 North. A new chapel for the Tenth Ward was built in 1964. In October 1973, the Third Ward was combined with parts of the Seventh Ward to form a new Sixteenth Ward, an event that Ellen Tracy describes as “a real blow to the older 3rd ward members.” The building continued to be used by members of the LDS Church until it was sold in October 10, 1994, when it was deemed inadequate. The Briar Rose Preschool acquired the property and immediately remodeled the building for school use. The building was sold in 1999 to the Chapel Hill Academy, and in January 2001 was acquired by the current owner. In September 2001, a complete adaptive reuse renovation of the building was completed as an historic preservation tax credit rehabilitation project. The building is currently known as the Northampton Reception Center.

ARCHITECTURE

The first meetinghouse in American Fork was a vernacular Greek Revival-style hall, built of adobe brick in
1861 (now demolished). The four ward meetinghouses built between 1901 and 1905 represent a period of
change during which the LDS Church, following the pattern of other Christian denominations, considered the Gothic Revival style appropriate for church buildings.2 The character defining features of these Gothic-style meetinghouses were asymmetrical facades, crenellated towers, and pointed-arch windows with wooden tracery. In plan, the meetinghouse was typically a rectangular hall with classrooms and offices located in a wing or in the basement. The church hierarchy usually employed local builders (often members of the ward) when professionally trained architects were not available. James H. Pulley (1856-1934), a local builder-carpenter, is known to have designed the Second and Fourth Wards. Arthur Dickerson, a local builder and member of the ward’s building committee designed the Third Ward building. Arthur Dickerson was born in American Fork in 1874. He is listed on the 1900 census of American Fork as a carpenter. According to his obituary, Dickerson was an “inventor, building contractor and musician.” In addition to designing and constructing buildings, he also made violins and guitars, and dabbled in poetry. He died in Idaho in 1949.

The practice of employing local builders and architects for meetinghouse designs was common in the church until 1920. After World War I, due increasing membership and building expenses, LDS Church leaders created a centralized architectural department where standardized plans could be produced in order to erect meetinghouses more quickly and less expensively. The plans for the 1938 addition were generated by the LDS Church Architectural Department and reflect the influence of head architect Joseph Don Carlos Young (1855- 1938), who designed for the church from the 1890s to his retirement in 1936. Between 1921 and 1936, his influence permeated the design of most LDS meetinghouses produced during this period. Young used a wide range of architectural vocabulary in his designs. Most of the meetinghouse designs were based on his innovative design of a U-shaped chapel and amusement hall. This standard plan was used in a number of wards and was nicknamed the “Colonel’s Twins.” Decoration on the buildings varied, but usually incorporated Georgian and Federal-style architectural motifs. The American Fork meetinghouses were an adaptation of the U-plan to existing chapels. The Third Ward’s Jacobethan Revival (a style based on 17th century English architecture) ornamentation is subtle and complements the Gothic-style of the original chapel. The 1958 addition and renovation, while just outside of the historic period, is also an important feature of the building. The west wing is somewhat of an aberration in the church’s architectural department of the 1950s. Standardized plans, most featuring Colonial Revival exteriors and modern interiors, were available in a range of sizes and configurations to accommodate variations in membership numbers and sites. Adapting and renovating older buildings was becoming increasingly rare, as the church was embarking on an ambitious program of chapel building. The three building phases of the Third Ward represent changes in LDS Church architecture throughout the twentieth century.

Narrative Description

The American Fork Third Ward Meetinghouse is a two-story, brick church building, constructed in three phases between 1903 and 1958. The original chapel space, constructed in 1903-1905, was designed in an eclectic Gothic Revival style. In 1938, a recreation hall and classroom wing was constructed to the east and north with modest Jacobethan decorative elements. The building was again expanded in 1958 in a wing to the west and north. Through the years minor alterations have been made to the exterior of the building, none of which substantially affect the building’s overall architectural integrity. The interior was extensively remodeled during the construction of the 1958 addition. The building is currently undergoing a major rehabilitation for adaptive reuse as a reception center. This work, which is a historic preservation tax credit project, is designed to restore many of the original features of the building as well as adapt the building to a new use.

The original 1903 footprint was a 53 feet x 80 feet rectangle with a square tower and entrance vestibule at the southeast corner. The 1903 building sits on a rock-faced, ashlar, stone foundation. The brick is red tap brick laid in a running bond with flush mortar joints. Decorative brick elements included corbelling at the cornice line, square colossal pilasters (projecting above the roofline for a slightly castellated effect), and rock-faced brick accenting the window hoods and round tower windows. Windows and door transoms were pointed, gothic-arches. A large stained-glass window was located on the south elevation. The upper tower windows had a floral design. The main floor of the sanctuary was above a raised basement. Steps leading up to multi-panel, double doors were located on the tower’s south elevation, and the north end of the east elevation. A grade-level entrance to the basement was located on the east side of the vestibule. Sandstone was used for lintels, sills, impost blocks, keystones, and the date block above the tower entrance. The cornice was plain and the eaves of the simple gable roof were slightly belcast. The roof of the tower was pyramidal with patterned shingles. On the interior, the sanctuary featured a raised podium and pulpit at the north end. The podium featured Victorian-gothic ornamentation such as a lathe-turned balustrade and gothic-designs in the woodwork. Metal frame theater-style seats were used (instead of pews), and a large pot-bellied stove was mounted next to the podium to heat the space. Ward histories indicate in 1929, the basement, originally used for classroom space, was expanded and remodeled.

In 1938, the first major addition was built to the east and the north. This addition effectively doubled the floor space of the original building, with a recreation-social hall to the east, a two-story auxiliary wing (classrooms, restrooms, and kitchen) to the north, and a foyer connecting the new space to the old. The new addition is constructed on a concrete foundation with no basement. The brick is laid in common bond with headers every sixth course. The south elevation of the addition features corbelled brick and pilasters similar to the 1903 building, but the decorative elements are Jacobethan rather than Gothic Revival. The south elevation of the social hall features a projecting entrance wing with a crenellated parapet and cast concrete window and door surrounds. A second, recessed entrance (also with a cast concrete surround) leads into the connecting foyer. On the interior the foyer has stairs to the second floor classrooms and a cloakroom. The hall is open with a stage to the north and a projection room (above the projecting entrance wing). The classrooms, restrooms, kitchen etc. are located at the rear of the building and can be accessed either from the foyer or the rear entrance.

Both the north and east elevations of the 1903 building were significantly impacted by the 1938 addition. In addition, the pilaster caps and belcast eaves were probably removed at this time when a new roof was installed on the structure.

In 1958, a major remodeling took place when the west wing was added. The 1958 wing is also two stories, and construction included additional excavation of the original basement. The wing sits on a raised concrete foundation and is constructed of red brick laid in a common bond similar to the 1938 addition. Although the 1958 addition features pilasters, there is little ornamentation such as corbelling. The windows are steel-sash, multi-pane windows and the doors were multi-paneled wood. The wing sits sufficiently back from the south elevation and does not impact the main facades of the 1903 and 1938 portions. The main feature of the 1958 addition is the entrance on the west elevation. On the interior, the space is divided into an entrance vestibule, classrooms, offices, and a large mechanical room in the basement.

According to the construction drawings for the 1958 addition, the 1938 wing was left intact with little or no alterations. However, several significant changes were made to the 1903 portion of the building. On the exterior, the stone foundation was encapsulated in concrete and the steps to the tower entrance removed. The cornice was replaced and the roofline simplified. Louvers were installed in the attic vents. The tower roof was removed and replaced with a built-up roof deck, a new crenellated brick parapet, capped with cast concrete, and new metal steeple. New cast concrete panels replaced the original upper tower windows. A chapel annex (quiet room) was added to the chapel’s east elevation. The gothic windows on the west elevation were replaced with steel-sash versions of the same design. The wood sash of south elevation window and transom was left intact, however, the original stained glass was replaced with a blue-green, marble-patterned milk glass. On the interior, the changes were even more significant. All original finishes and furnishings in the chapel were removed. A new podium was built at the south end changing the orientation of the congregation and new pews were installed. The new design was modern, with simple lines and light, tan-colored woodwork.

About 1970, the stained-glass window and tower entrance were bricked-in, probably due to the difficulty of replacing broken glass. The aluminum soffits around the entire perimeter of the building were installed in the 1980s. A more major alteration was the replacement of the wood doors on all main elevations with glass and aluminum (probably 1970s or 1980s). Metal stairs were added to the west (supported by wing walls) and north elevations for additional egress from the second floor, and necessitated converting two windows into doors. When the property was sold in 1994, church officials had the steeple removed before transferring the deed. The building was used as a preschool between 1994 and 2000. Alterations made during this phase included the removal of pews and from the chapel space and the demolition of the stage area in the recreation hall. The steep stairs to the projection room were removed at an unknown date.

Between January and September 2001, the building was rehabilitated for use as a reception center. Alterations to the exterior were minor. Most were designed to restore the historic integrity of the building. The window-blocking brickwork from the south elevation was removed and a new stained glass window was installed in the original wood sash. Stained glass was also installed in several panes of the gothic windows on the west elevation, and the windows on the tower. The original entry doors in the tower were rehabilitated. New wood doors (designed with six panels similar to the tower doors) were installed on the south and west elevation entrances. All brick, sandstone and concrete was cleaned and repaired. The exterior metal stairs were removed. A new glass entrance was created on the north elevation where the original stage entrance and loading doors were located. Handicap access ramps were created on the south and north elevation, and also at a new basement entrance in the southwest corner of the building. A new cast concrete balustrade was created for the tower balcony and the southeast entrance. The exterior work has restored many of the lost historic features of the building.

On the interior, all 1958 and subsequent finishes were removed. The chapel and recreation hall were
rehabilitated for use as reception hall (west and east halls respectively). The west hall (chapel) and annex
rooms were given new paint, carpet and contrasting woodwork in the Victorian Eclectic style. A new staircase (designed with a lathe-turn balustrade similar in style to the original 1903 podium) was built at the north end. The east hall (recreation hall) is simpler in design with a rough stucco finish and a hanging lattice of flowers under the ceiling. Alterations to this area include partition walls at the south end and a new staircase on the west wall. The south foyer staircase (1938) was also rebuilt with a marble and wood mantelpiece installed in the foyer area. The west foyer was left intact with new finishes. A chair lift was installed in the corridor. The existing kitchen and bathrooms were upgraded. Existing classrooms were converted to bride’s rooms, office space and meeting rooms. The basement was refinished for use as meeting rooms, storage and a floral shop. All interior work was sensitive to and compatible with the original historic features of the building while addressing issues such as code compliance, egress, access and a new community-based usage.

The building faces south on a one-acre parcel of land. An additional parcel is used for parking to the east. A third parcel (to the north and east) was recently acquired by the current owner and will also be used for parking. A small brick utility shed (non-contributing circa 1980) sits on the northeast corner of the original parcel. The property is on the corner of 300 North and 200 West, with sidewalks and grassy parking strips along the streets. There are mature trees on all the landscaped portions of the property with sidewalks leading to the primary entrances. A number of shrubs and other plants are located at the base of the building. Exterior lighting, stone retaining walls and patio space was part of the landscape upgrades included in the adaptive reuse. The property is located in a hilly residential neighborhood just north of American Fork’s historic downtown. There is a mix of housing stock ranging from early adobe settlement homes (1870s & 1880s) to very recent residential construction. The American Fork Third Ward is in excellent condition and is a contributing historic resource of the neighborhood.

First National Bank

12 Saturday Mar 2022

Posted by Jacob Barlow in Uncategorized

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Banks, Davis County, Historic Buildings, Layton, NRHP, utah, Victorian, Victorian Eclectic

The First National Bank of Layton, built in phases between 1905 and 1945, is a one-part commercial block in the Victorian Eclectic style. The bank building is significant under Criteria A arid C for its association with the development of Layton, and for its association with Davis County’s most prominent and prolific architect at the turn of the century, William Allen. In 1905, the First National Bank was the third bank to be established in Davis County and during 2005 celebrated its centennial as the oldest continually operating business in Layton. For a century, the bank has been an integral part of the Layton City and Davis County economies. The bank building includes a 1915-1916 expansion, which provided office space for the Layton Sugar Company, the area’s largest employer at the time. During the 1940s, the bank building expanded again mainly due to the rise in population associated with the development of Hill Air Force Base (Hill Field). Between 1905 and 1916, the bank building was designed, constructed and expanded by Davis County’s most respected architect, William Allen. William Allen began his career as a brick mason and ended it as a contractor and self-taught architect. He was among the first architects licensed by the State of Utah, and the only licensed architect in Davis County for many years. Of Allen’s over one-hundred documented works, six are listed on the National Register of Historic Places and another is pending. The First National Bank of Layton is a contributing historic resource in Layton, Utah.

Located at 50 West Gentile Street in Layton, Utah and added to the National Historic Register (#06000232) April 5, 2006.

Layton, Davis County’s largest city, was originally an outgrowth of Kaysville, a Mormon pioneer town first settled in 1854. By 1886, a separate precinct and post office were located in a small business center north of Kaysville. The community was named Layton, for Christopher Layton, a prominent early settler of the area. In 1902, the community of Layton legally severed the ties with Kaysville and became an unincorporated area. With a population of 500, Layton was incorporated as a third-class town in 1920. In 1950, after a decade-long boom period which accompanied the development Hill Air Force Base, the population reached 3,456 and Layton was declared a third-class city.

Layton’s historic business district is clustered near the intersection of Gentile Street and Main Street, which for many years paralleled the track of the original Utah Central Railroad (the tracks were removed in 1953). The Layton business district was also serviced by the Oregon Short Line (later Union Pacific, 1912-present) on the west side of town and the Bamberger Electric Railway (1906-1952, later obliterated by Interstate 15) east of the commercial district. At the beginning of the twentieth century, Layton’s business district included two general stores, a meat market, saloon, coal dealer, blacksmith shop, barber shop, hotel, and the Layton Milling and Elevator Company, which in 1903 shipped more flour than any other Utah mill. Through the first half of the twentieth century, the economy was predominantly agricultural. The most important cash crops were alfalfa, grain, onions, and potatoes. A cannery was built to process tomatoes and peas, and a factory was established in 1915 to process sugar beets. The business district was the support and shipping center for products of Layton fanners.

The First National Bank of Layton was established in 1905. At the time it was only the third bank in Davis County, and one of only two national banks that were established that year. The Layton Bank was established during a period of banking expansion that followed the depression years of the mid-1890s. The bank required a $20,000 minimum of capital in order to comply with Utah’s 1888 Banking Act. The original thirty-nine stockholders raised $25,000 (250 shares of $100). Most of the stockholders lived in Layton with a few living in the nearby communities of Ogden, Kaysville, Plain City and Syracuse. Among the stockholders were several prominent members of the Ellison family, whose descendants own the original bank building. The first officers of the bank were James Pingree, President; E. P. (Ephraim Peter) Ellison, Vice-President; Rufus Adams, Vice President; James E. Ellison, Cashier; and Laurence E. Ellison, Assistant Cashier.

The bank officials selected Kaysville architect, William Allen, to draw up plans for the new bank building. William Allen had designed E. P. Ellison’s Farmers Union store in 1892. The bank was built on land across the street from the store at the corner of Main and Gentile Streets. The land was originally patented to Thomas Sandall in 1875, but was not purchased by the bank until 1911. The one-story brick building first opened its doors for business on May 15, 1905. On October 20 and 21, 1906, an east wind blew through northern Davis County causing hundreds of thousands of dollars in property damage. Among the casualties of the disaster was the Layton Bank Building, which was “completely destroyed roof and walls.” An examination of the building concluded that the “violent wind blew in the bank’s east window, creating intense internal air pressure, which caused the front brick wall to explode onto Gentile Street.”

The bank moved its operations temporarily to the Farmers Union Store, while William Allen redesigned the bank. Though the disaster had occurred just eighteen months after the bank’s opening, the board of directors was determined to persevere. The Davis County Clipper reported on the first annual meeting after the windstorm stating “No quarterly dividend was declared, probably, it had been paid to the east wind that blew the bank building down. It is thought that it will probably take another quarterly dividend to pay for the damage done by the wind.” Another article in the Davis County Clipper described the construction enhancements of the new building: “The Layton bank which is being rebuilt is as strong physically as the Bank of England is financially. Iron anchors, several feet long, were placed in the walls and other irons were put between the courses of brick in such a way as to hold the building together.”

The bank moved from the store back into the new building in the spring of 1907. In October of that year, two burglars broke into the bank vault, but were unable to open the safe where the money was kept. A second attempt in May 1910 was also unsuccessful. By that time, the Layton Bank had a time-locked safe. Frustrated in their attempt, the two thieves locked cashier, Laurence Ellison and night-watchman, Hyrum Evans, in the vault. Ellison and Evans managed to escape and the would-be robbers were apprehended. Laurence Ellison, who had been promoted to Cashier after his brother James left, was the bank’s lone employee, until he was joined by Vird Cook in 1913. Vird Cook, who was nineteen at the time, spent the next forty-six years working in the bank. By 1914, the assets of the bank had grown to $187, 907. During its first decade, the Layton Bank’s stockholders and customers included most of the business owners and farmers of Layton.

Agriculture had been the economic base of Layton since the pioneer era, but by the 1890s many farmers were
beginning to specialize. In particular, the sugar beet was an important cash crop in northern Davis County, with many thousands of tons of sugar beets shipped to sugar plants in Lehi, Utah, and later Ogden, Utah. In 1913, Kaysville-Layton area farmers and businessmen organized the Layton Sugar Company in 1913. The company was incorporated in 1915, with E. P. Ellison as one of the founders. By the fall of 1915, the Dyer Construction Company had completed a $500,000 sugar plant on a forty-eight-acre site near the Denver & Rio Grande tracks in west Layton. The first year the plant processed 25,000 tons of beets from farms in Kaysville and Layton. In the next two years, the output doubled. The factory employed approximately 300 men working round-the-clock shifts. James E. Ellison served as manager and president of the company.

On August 25, 1915, the minutes of the First National Bank of Layton record that a committee was organized to “investigate the feasibility of remodeling the bank building and making an addition thereto to be rented to the Layton Sugar Company.” In September, the bank board approved plans for the addition and a charge of $60 per month rent to be paid by the Layton Sugar Company. William Allen was again chosen as architect for the addition and remodeling. The Davis County Clipper reported that expanded bank would have several objectives: “to furnish a larger home for the bank, provide offices for the sugar company as well as for professional men, etc.” 10 The newspaper continued to monitor the progress of the building. According to one report the contractors, Hyde and Sheffield, “have employed all the bricklayers in Davis County that they could get and some few from the outside” for the bank building and another project. As the construction neared completion in January 1916, the Clipper published the following glowing report: “The brickwork on the First National Bank addition is completed and the new metal cornice is in place. The metal cornice was placed on the old building so as to make it harmonize perfectly with the new. The cement trimming about the door and windows gives it a massive and attractive appearance. The mason work has also been done with skill. The
building is certainly a credit to Architect Allen.”

The Layton Bank weathered difficult times through the 1920s, including a successful robbery in 1920 in which the robbers made off with several thousand dollars in war bonds. In 1924, the bank installed the security alarm box still extant on the south elevation. Utah experienced several years of depression even before the stock market crash of 1929. However, the First National Bank of Layton thrived, most likely because it had several large depositors, including the sugar company and the Davis and Weber Counties Canal Companies, in addition to its community customers. The bank hired several bookkeepers, including its first women employees, Beth Green and Norma Underwood. In 1922, the Kaysville Weekly Reflex printed this description of the bank’s operations: “The bank does a business extending over the state of Utah and into Nevada and Canada, where Layton people have large interests” 13 In the 1930s, the old system of banks issuing currency was abandoned, and today the few surviving First National Bank of Layton notes are held by collectors. The 1939 remodeling of the bank’s interior utilized the popular Art Deco style of the period. That same year, the decision to build an air depot near Ogden would greatly impact the economy of Layton.

The bulk of the Hill Field base was within Davis County with Layton as the closest established community to the base’s main gate. The base was operational by November 1940, and even before the United States’ entrance into World War II, the economy of Layton was booming. Although the bank benefited from proximity of the base; with so many employed in war-related services, the bank had difficulty finding employees. The Layton Bank even changed its hours to accommodate paydays for Hill Field employees. In 1941, Laurence E. Ellison was elected president of the Utah Bankers’ Association. The bank began planning to expand its facilities and build a new vault in 1944, but wartime shortages of materials postponed the project. Though the exterior of the expansion was almost complete in October 1945, the interior work was not completed until 1946. The addition and remodeling included a new bank vault, new safe deposit boxes, a paneled boardroom, kitchenette and restrooms. The addition also doubled the size of the sugar company offices. When the Layton Sugar Company went out of business in 1959, and the bank operations took over the entire building.

In the post World War II years, the First National Bank of Layton became an even more integral part of the economic community. The bank was one of the first in Davis County to offer loans guaranteed under the G.I. Bill. Many important businesses were started with loans from the Layton Bank. One example was Rufus C. Willey of Syracuse, who was a bank customer and founder of the R.C. Willey Company, today Utah’s largest furniture and appliance retailer. Through the 1950s, 1960s and 1970s, the bank continued to upgrade and modernize. A night depository box was first installed in 1954. The glass vestibule was installed in the 1970s. In 1981, the bank moved across the street to the restored Farmers Union Building, where it currently conducts business. During the move, the marble teller stations and the vault were also moved. The L.E. Ellison Family Company purchased the building in 1985. In the 1980s and 1990s, the building was used for a variety of businesses including a print shop, coffee house, computer store, bridal & photography, beauty salon, and most recently, a jewelry store. The building has been vacant since 2003.

The First National Bank of Layton, built in four phases between 1905 and 1945, is a one-part commercial block, located at 50 West Gentile Street in Layton, Utah. The building is brick masonry with stone and concrete foundations. The current roof is flat and built-up. The original bank building, a one-part Victorian-style commercial block with an angled entrance, was constructed in 1905. In October 1906, the building was partially destroyed by a windstorm. Between 1906 and 1907, the bank building was rebuilt using the surviving stone foundation and two brick walls. Most of the Victorian elements of the 1905 building were replicated during the 1906-1907 reconstruction, but the parapet was built higher and other modifications were made. In 1915, the bank building was expanded to the east and a new entrance was built flush with the south elevation and featured stylized classical elements. In 1945, the building was expanded to the east and in the rear, creating a wedge-shaped east elevation that followed the line of Layton’s Main Street. The interior of the bank has been remodeled several times, with the extant finishes dating from 1939 to the 1980s. The bank building has been vacant since 2003.

The original 1905 building measured approximately forty-three by twenty-two feet. The longest elevation faced south onto Gentile Street with the shorter end on Main Street. The main entrance was angled and faced southeast toward the intersection. 1 The foundation was rock-faced sandstone. The face brick was laid in a stretcher bond. There was a corbelled brick base with a sandstone stringcourse, which also served as the sill. Historic photographs show the south elevation divided into two bays by brick pilasters. Each bay featured a large plate-glass window with several courses of segmental-arched rowlock brick. A decorative stringcourse highlighted the arched windows. A similar bay was on the east elevation. The angled entrance featured stone steps, double wood-sash doors, with transoms and a segmental-arched hood. Above the fenestration were three corbelled brick courses and a brick parapet with a metal cornice. A decorative block with the date “1905” was above the entrance. The west elevation had a small window near the south end (now filled-in), but otherwise the west and north elevations were blank. On October 20-21,1906, a windstorm blew in the east window creating a vacuum, which caused the roof to collapse and the south elevation to explode. Between late 1906 and 1907, the bank building was rebuilt using the original foundation and surviving north and west walls. The
rebuilt structure was similar in design to the original, but featured a much higher and stronger parapet. The new parapet was completely brick and featured a dog-tooth course above the original corbelling. The brick masonry
was reinforced with iron bars and anchors. The sloped roof was reinforced as well.

Between 1915 and 1916, an L-shaped addition was constructed effectively expanding the building twenty feet to the north and twenty-five feet to the east. The addition created a south facing entrance and an extra bay to the east. The addition was designed by the same architect-builder as the original building, and the brickwork is nearly identical. The main difference between the old and new bays is the use of concrete for the foundation and sills, rather than stone, and vents in the dogtooth course. The new steps are also concrete. The new entrance features a slightly projecting surround of cast concrete. The flanking pilasters were banded, as were a dividing mullion and pilasters (with capitals) in the slightly recessed double doors (the mullion was removed in the 1970s). Above the arched opening is a cast concrete panel with the words “First National Bank.” These elements give the building’s entrance a stylized classical appearance. The brick parapet was also enlarged in 1915-1916, and with accent block appeared as a classical balustrade. The date “1905” is in a block above the main entrance.

The building was expanded again in 1945-1946. During this phase the east elevation was demolished and the façade was expanded by another bay, which replicated the 1915-1916 addition. A similar, but smaller bay faces east. The remainder of the east elevation addition angles to the northwest along the line of Main Street. The angled wall is constructed of brick on a concrete foundation and features a geometric design of corbelled brickwork. The parapet is plain and has been used as a signboard. There is a simple metal coping along the parapet. The brickwork for the north elevation addition is similar. There are windows (now filled with glass block, date unknown) in the north and west corners of the building, but no other openings. The different building phases are best discerned on the west elevation where the joints between additions are visible. There is a double-door service entrance in the center of the west elevation (probably 1980s). Other modifications to the exterior include the installation of an interior alarm box (circa 1924, south elevation), exterior paint (white in the 1960s and currently tan with darker tan and gold accents), and the removal of the double entrance doors to provide a single glass door into a vestibule (circa 1970s).

The interior of the building has been remodeled several times. The original 1906-1907 interior featured a marble lobby with a pressed-tin ceiling. The vault was built out in the northwest corner. During the 1915-1916 expansion the lobby was not altered but additional vault and office space was added to the rear. The addition included office space for the local sugar company to the east, which had its own vault. In 1939, a major interior remodeling included the removal of the original ceiling and a change to the teller cages. The 1939 interior remodeling had some elements of the Art Deco-style. 2 Further remodeling accompanied the 1945-1946 addition. The banking space was expanded to include the 1915-1916 spaces and the vault was moved to the rear. Decorative plaster work was added to the ceiling and walls of the main banking space (extant). The rear addition included an upper-story accessed by a central closed stair. The rear addition has three rooms (currently finishes from the 1980s) and parts of the 1915-1916 building exterior are visible on the south walls. On the main floor, a wood-paneled board room was installed (extant although slightly damaged). In the northwest corner a kitchenette and restrooms were installed (extant). The glass vestibule was installed in the 1970s and a night depository box was added. There is a wall-mounted safe near the vestibule (date unknown, possibly 1980s). The marble teller counter and the vault doors were relocated to the Farmers’ Union Building (listed on the National Register in November 1978) across the street when the bank moved its operations there in 1981. In the bank area, many of 1939-1946 features and finishes have survived. To the east, where the offices were located, most of the current interior finishes date from the 1980s after the bank moved out.

The First National Bank of Layton sits on a wedge-shaped parcel of 0.1779 acres. It is located at the angled corner of Main Street and Gentile Street. There is a sidewalk and planters on Gentile Street, but only a sidewalk on Main Street. A narrow pedestrian alley is located between the bank and the historic building to the west.

There is a small asphalt parking area in the rear (against the north elevation). The bank is one of several historic buildings located in downtown Layton, but most, with the exception of the Farmers Union Building and one general store, have been altered. The First National Bank is in good condition and contributes to the historic resources of Layton, Utah.

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